O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / October 4, 2007
“Notes on a Scandal” is a sad yet alarming tale about debilitating loneliness. Most of the characters suffer from (and for) this affliction, in one way or another. And the acting performances are so authentic, we truly believe that we are witnessing real, hurting people.
As a critic, I’m usually careful to not give away too much in the plot summary, but considering the conservative tastes of Flix Club renters, you should know — up front — what this movie entails: “Notes on a Scandal” is about a female teacher who becomes intimately involved with a 15-year-old male student; and, about another, much older female teacher who has romantic inclinations toward the younger, aforementioned female teacher.
“Sheba” Hart (Cate Blanchett) is a first-year Art teacher at a high school in London. (This character’s full name, Bathsheba, was no doubt selected for its Biblical parallels.) Sheba’s presence in the school seems to affect students and faculty alike in “Bathsheba-like” ways. Sheba is married to a much older man (played by Bill Nighy), and she has two children: an atypical son with Down’s Syndrome and a typical teenaged daughter.
And though she seems so, Sheba is not perfect. When one of her 15-year-old students continues to make advances toward her, Sheba eventually submits and begins a pedophilic affair.
Barbara Covett (Judi Dench) is a seasoned History teacher, who seems bitter, but she secretly struggles with profound loneliness and an affinity toward women. Barbara has affections for Sheba that are, again, to use a Biblical adjective, unseemly. When Barbara finds out about Sheba’s secret, she tries to strategically use the revelation to obtain her wishes.
This edited version of “Notes on a Scandal” is devoid of depictions of sexuality and nudity, though we do briefly see Cate Blanchett wearing a bra. One line of particularly descriptive dialogue is cut off in the middle. And the editor has been careful to cut away from scenes where Blanchett kisses the boy, though it is evident what is about to happen.
“Notes on a Scandal” and its themes, I suspect, will not be for everyone. But as far as its performances and dramatic quality, it is a fine film.
Directed by Richard Eyre
Judi Dench / Cate Blanchett / Bill Nighy
92 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 16 and up
DVD release date: April 17, 2007
Copyright 2007.
JP0192 : 361
The Italian Job (2003)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / October 4, 2007
It’s this simple: If you liked “Ocean’s Eleven” (2001), then you’ll like “The Italian Job.” And if you loved “Ocean’s,” then this movie is a must-see.
“The Italian Job” is one of those heist movies that has you cheering for the criminals. Alfred Hitchcock enjoyed making his audiences feel inner conflict by manipulating them to relate or sympathize with “the bad guy” or worse yet, “the killer.” This movie, like many others these days, has that same audacity.
“The Italian Job” begins with Charlie Croker (Mark Wahlberg) leading a team of professional thieves in Italy. Their targeted loot equates to major bucks for each of their crewmembers; but unfortunately, there is no honor among thieves.
The balance of the movie involves the betrayed team members reassembling to regain what was rightfully not theirs; and, moreover, taking revenge on the movie’s Benedict Arnold.
As you can see, the plot closely resembles that of “Ocean’s Eleven.” It also has the clever, sneaky, high-tech schemes and humorous dialogue that makes “Ocean’s” so delightfully entertaining.
As far as editing goes, “The Italian Job” was initially rated PG-13 for violence and some language. The language has been edited and the violence is minimal. So, if you can live with rooting for a bunch of criminals, then don’t miss “The Italian Job.” It is excellent.
Directed by F. Gary Gray
Mark Wahlberg / Ed Norton / Donald Sutherland
111 min. Crime / Action
(Original MPAA rating: PG-13)
Edited version age recommendation: 12 and up
DVD release date: October 7, 2003
Copyright 2007.
JP0186 : 219
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / October 4, 2007
It’s this simple: If you liked “Ocean’s Eleven” (2001), then you’ll like “The Italian Job.” And if you loved “Ocean’s,” then this movie is a must-see.
“The Italian Job” is one of those heist movies that has you cheering for the criminals. Alfred Hitchcock enjoyed making his audiences feel inner conflict by manipulating them to relate or sympathize with “the bad guy” or worse yet, “the killer.” This movie, like many others these days, has that same audacity.
“The Italian Job” begins with Charlie Croker (Mark Wahlberg) leading a team of professional thieves in Italy. Their targeted loot equates to major bucks for each of their crewmembers; but unfortunately, there is no honor among thieves.
The balance of the movie involves the betrayed team members reassembling to regain what was rightfully not theirs; and, moreover, taking revenge on the movie’s Benedict Arnold.
As you can see, the plot closely resembles that of “Ocean’s Eleven.” It also has the clever, sneaky, high-tech schemes and humorous dialogue that makes “Ocean’s” so delightfully entertaining.
As far as editing goes, “The Italian Job” was initially rated PG-13 for violence and some language. The language has been edited and the violence is minimal. So, if you can live with rooting for a bunch of criminals, then don’t miss “The Italian Job.” It is excellent.
Directed by F. Gary Gray
Mark Wahlberg / Ed Norton / Donald Sutherland
111 min. Crime / Action
(Original MPAA rating: PG-13)
Edited version age recommendation: 12 and up
DVD release date: October 7, 2003
Copyright 2007.
JP0186 : 219
300 (2007)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 25, 2007
Even though this version is edited, “300” is still remarkably violent and bloody, and it still includes two beheadings.
This movie could have also been titled “Testosterone.” It is a “guy movie” in every way, and as macho as it can be. The last movie with this much manhood was “Fight Club” (1999).
Not a movie for plot or story, “300” is a war movie whose warriors battle with spears and swords. And that’s really all there is to it.
A tyrannical, self-proclaimed “god-king” named Xerxes (Rodrigo Santoro) leads countless Persian hosts to dominate and enslave many lands, including Greece. Mighty king Leonidas (Gerard Butler) fiercely repels the threat.
And though Leonidas cannot get approval for a full-scale war, he assembles 300 “body guards” and takes a walk to a narrow corridor of land by the sea. This geographic advantage will funnel Xerxes’ numbers into manageable targets.
So, we watch the 300 receive wave after wave of enemies, some monstrous, some gigantic animals, all of them bleeders. (There is a lot of blood spatter, albeit CGI blood spatter.)
Other than this battle ground, the movie doesn’t really go anywhere else, except for the occasional glimpses back at Sparta. But as I indicated, this is an action/war movie, not a story like “House of Sand and Fog” (2003).
Despite the editing, this is still, at the very least, PG-13 — if not R. To be fair, “300” is a movie that probably could not successfully be edited down to PG. We see swords run through necks, eyes, arms, etc. You get the picture. All of the Spartan men are buff, bare-chested battlers; and the females in the movie are typically scantily clad.
If you love bloody action movies, “300” is for you. If not, rent the edited version of “House of Sand and Fog.”
Directed by Zack Snyder
Gerard Butler / Lena Headey / Rodrigo Santoro
117 min. Action / War
(Original MPAA rating: R)
Edited version age recommendation: 18 and up
DVD release date: July 31, 2007
Copyright 2007.
JP0183 : 302
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 25, 2007
Even though this version is edited, “300” is still remarkably violent and bloody, and it still includes two beheadings.
This movie could have also been titled “Testosterone.” It is a “guy movie” in every way, and as macho as it can be. The last movie with this much manhood was “Fight Club” (1999).
Not a movie for plot or story, “300” is a war movie whose warriors battle with spears and swords. And that’s really all there is to it.
A tyrannical, self-proclaimed “god-king” named Xerxes (Rodrigo Santoro) leads countless Persian hosts to dominate and enslave many lands, including Greece. Mighty king Leonidas (Gerard Butler) fiercely repels the threat.
And though Leonidas cannot get approval for a full-scale war, he assembles 300 “body guards” and takes a walk to a narrow corridor of land by the sea. This geographic advantage will funnel Xerxes’ numbers into manageable targets.
So, we watch the 300 receive wave after wave of enemies, some monstrous, some gigantic animals, all of them bleeders. (There is a lot of blood spatter, albeit CGI blood spatter.)
Other than this battle ground, the movie doesn’t really go anywhere else, except for the occasional glimpses back at Sparta. But as I indicated, this is an action/war movie, not a story like “House of Sand and Fog” (2003).
Despite the editing, this is still, at the very least, PG-13 — if not R. To be fair, “300” is a movie that probably could not successfully be edited down to PG. We see swords run through necks, eyes, arms, etc. You get the picture. All of the Spartan men are buff, bare-chested battlers; and the females in the movie are typically scantily clad.
If you love bloody action movies, “300” is for you. If not, rent the edited version of “House of Sand and Fog.”
Directed by Zack Snyder
Gerard Butler / Lena Headey / Rodrigo Santoro
117 min. Action / War
(Original MPAA rating: R)
Edited version age recommendation: 18 and up
DVD release date: July 31, 2007
Copyright 2007.
JP0183 : 302
Derailed (2005)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 11, 2007
I love my life just fine. But I’m the type of person who loves to watch thrillers because it makes me feel so thankful and cozy in my comparatively uneventful, everyday life. For this reason, I especially like disturbing moves. “Derailed” is only mildly disturbing but an overtly excellent, emotionally engaging thriller.
“Derailed” is a movie about escalating bad choices. But not just bad choices — terrible choices.
Charles Schine (Clive Owen) is restless. His relationship with his wife is tense, but probably because their daughter has a serious medical condition. While taking the train to work one day, Schine encounters Lucinda Harris (Jennifer Aniston), a flirty charmer who is also quite a looker. Oh, and she’s also married with a child, just like Charles.
Against their better judgment, the two cave in and decide to rendezvous at a motel in downtown Chicago. Unfortunately for them, they have a traumatic experience courtesy of the big city’s criminal underworld. This experience, by the way, continues to haunt and revisit them throughout the movie, especially Schine.
I know I’m being vague, but this is a movie filled with surprises. It’s one of those films where you think that it couldn’t possibly get any worse for our protagonist, then it does.
The edited version is still rather violent. There is fighting, gunfire and bloodshed. Of course, there’s the adultery theme, too, along with some fairly brief, passionate kissing.
“Derailed” is intense and will anger you (in a good way), but if that emotional ride is your thing, then this movie is an absolute must-see.
Directed by Mikael Hafstrom
Clive Owen / Jennifer Aniston / Vincent Cassel
112 min. Thriller / Drama
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: March 21, 2006
Copyright 2007.
JP0172 : 260
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 11, 2007
I love my life just fine. But I’m the type of person who loves to watch thrillers because it makes me feel so thankful and cozy in my comparatively uneventful, everyday life. For this reason, I especially like disturbing moves. “Derailed” is only mildly disturbing but an overtly excellent, emotionally engaging thriller.
“Derailed” is a movie about escalating bad choices. But not just bad choices — terrible choices.
Charles Schine (Clive Owen) is restless. His relationship with his wife is tense, but probably because their daughter has a serious medical condition. While taking the train to work one day, Schine encounters Lucinda Harris (Jennifer Aniston), a flirty charmer who is also quite a looker. Oh, and she’s also married with a child, just like Charles.
Against their better judgment, the two cave in and decide to rendezvous at a motel in downtown Chicago. Unfortunately for them, they have a traumatic experience courtesy of the big city’s criminal underworld. This experience, by the way, continues to haunt and revisit them throughout the movie, especially Schine.
I know I’m being vague, but this is a movie filled with surprises. It’s one of those films where you think that it couldn’t possibly get any worse for our protagonist, then it does.
The edited version is still rather violent. There is fighting, gunfire and bloodshed. Of course, there’s the adultery theme, too, along with some fairly brief, passionate kissing.
“Derailed” is intense and will anger you (in a good way), but if that emotional ride is your thing, then this movie is an absolute must-see.
Directed by Mikael Hafstrom
Clive Owen / Jennifer Aniston / Vincent Cassel
112 min. Thriller / Drama
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: March 21, 2006
Copyright 2007.
JP0172 : 260
Grizzly Man (2005)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 11, 2007
“Grizzly Man” is one of the great documentaries by one of the great filmmakers, Werner Herzog. If you are not familiar with Werner Herzog, then make that your first priority. Herzog is to filmmaking what Evel Knievel was to “stuntmanship.” Or, more accurately, Werner Herzog is the Evel Knievel of filmmaking.
In “Grizzly Man,” Herzog introduces us into the world of Timothy Treadwell, a man who chose to live in the Alaskan wilderness among grizzly bears for 13 summers. Unlike Herzog’s other documentaries, much of the footage was shot by Treadwell himself — of himself, dangerously close to the bears.
For 11 of the 13 summers, Treadwell lived alone with the wild animals, 24 hours a day, for months at a time. His last two summers, he dragged his reluctant girlfriend, Amie Huguenard, with him. It is no secret (in the film or otherwise) that the inevitable happened: Both people were eaten in 2003 by a grizzly bear. (Visual footage of the fatal attack does not exist, and we are spared from hearing the audio recording.)
Herzog selects phenomenal footage from more than 100 hours of Treadwell’s video diary. Also, the German director interviews friends and associates of Treadwell; they say surprising things.
As for the editing, this documentary was initially rated R for language. All of that has been removed from this version, of course, but at one time Treadwell says “frikin’,” and it sounds like something else. But I would warn sensitive viewers about the frank discussions of the grizzly (and grisly) attack. Although some of this has been edited, too, much of it remains. It is vivid, explicit and horrifying.
“Grizzly Man” is an absolute masterpiece whose credit partially belongs to Herzog, but even more so to Timothy Treadwell, the so-called Grizzly Man himself, who loved bears more than anything, including his own life.
Directed by Werner Herzog
Werner Herzog / Timothy Treadwell / Jewel Palovak
103 min. Documentary
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: December 26, 2005
Copyright 2007.
JP0171 : 306
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 11, 2007
“Grizzly Man” is one of the great documentaries by one of the great filmmakers, Werner Herzog. If you are not familiar with Werner Herzog, then make that your first priority. Herzog is to filmmaking what Evel Knievel was to “stuntmanship.” Or, more accurately, Werner Herzog is the Evel Knievel of filmmaking.
In “Grizzly Man,” Herzog introduces us into the world of Timothy Treadwell, a man who chose to live in the Alaskan wilderness among grizzly bears for 13 summers. Unlike Herzog’s other documentaries, much of the footage was shot by Treadwell himself — of himself, dangerously close to the bears.
For 11 of the 13 summers, Treadwell lived alone with the wild animals, 24 hours a day, for months at a time. His last two summers, he dragged his reluctant girlfriend, Amie Huguenard, with him. It is no secret (in the film or otherwise) that the inevitable happened: Both people were eaten in 2003 by a grizzly bear. (Visual footage of the fatal attack does not exist, and we are spared from hearing the audio recording.)
Herzog selects phenomenal footage from more than 100 hours of Treadwell’s video diary. Also, the German director interviews friends and associates of Treadwell; they say surprising things.
As for the editing, this documentary was initially rated R for language. All of that has been removed from this version, of course, but at one time Treadwell says “frikin’,” and it sounds like something else. But I would warn sensitive viewers about the frank discussions of the grizzly (and grisly) attack. Although some of this has been edited, too, much of it remains. It is vivid, explicit and horrifying.
“Grizzly Man” is an absolute masterpiece whose credit partially belongs to Herzog, but even more so to Timothy Treadwell, the so-called Grizzly Man himself, who loved bears more than anything, including his own life.
Directed by Werner Herzog
Werner Herzog / Timothy Treadwell / Jewel Palovak
103 min. Documentary
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: December 26, 2005
Copyright 2007.
JP0171 : 306
Enron: The Smartest Guys in the Room (2005)
O An excellent must-see
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / August 4, 2007
During the introductory comments, one of this documentary’s three writers, Bethany McLean, tells us that “this isn’t a story about numbers and complicated transactions, it’s about people and is really a human tragedy.”
I beg to differ about one point: “Enron: The Smartest Guys in the Room” is indeed a human tragedy (namely for all of the employees who lost their retirement and pension plans, not the crooks), but it is also about numbers and complicated transactions and is therefore, somewhat tedious to watch.
Basically, rent this video if you’d like a blow-by-blow, play-by-play recounting of what the corporate, criminal masterminds, Ken Lay, Jeff Skilling and Andrew Fastow (and many others) did to “cook the books,” pull “the corporate crime of the century” and bring about America’s largest corporate bankruptcy. (Oh, and it would also help if you have a good grasp on financial matters.)
There are interesting parts in this documentary, particularly ironic file footage and recordings of devious, despicable phone conversations. Some of the documentary will make you sad. Most of it will cause your blood to boil.
“Enron: The Smartest Guys in the Room” is fairly well made. I particularly liked the soundtrack selections. It was not, however, as clear and accessible to “common folk” like me, and I’m no dummy, usually.
Since this documentary was initially released in April of 2005, it does not contain some of the updates, such as Kenneth Lay’s dying on July 5, 2006. Even so, this documentary is a decent recap for a history class.
Directed by Alex Gibney
Ken Lay / Jeffrey Skilling / Andrew Fastow
110 min. Documentary
(No original MPAA rating)
Edited version age recommendation: 10 and up
DVD release date: January 17, 2006
Copyright 2007.
JP0164 : 254
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / August 4, 2007
During the introductory comments, one of this documentary’s three writers, Bethany McLean, tells us that “this isn’t a story about numbers and complicated transactions, it’s about people and is really a human tragedy.”
I beg to differ about one point: “Enron: The Smartest Guys in the Room” is indeed a human tragedy (namely for all of the employees who lost their retirement and pension plans, not the crooks), but it is also about numbers and complicated transactions and is therefore, somewhat tedious to watch.
Basically, rent this video if you’d like a blow-by-blow, play-by-play recounting of what the corporate, criminal masterminds, Ken Lay, Jeff Skilling and Andrew Fastow (and many others) did to “cook the books,” pull “the corporate crime of the century” and bring about America’s largest corporate bankruptcy. (Oh, and it would also help if you have a good grasp on financial matters.)
There are interesting parts in this documentary, particularly ironic file footage and recordings of devious, despicable phone conversations. Some of the documentary will make you sad. Most of it will cause your blood to boil.
“Enron: The Smartest Guys in the Room” is fairly well made. I particularly liked the soundtrack selections. It was not, however, as clear and accessible to “common folk” like me, and I’m no dummy, usually.
Since this documentary was initially released in April of 2005, it does not contain some of the updates, such as Kenneth Lay’s dying on July 5, 2006. Even so, this documentary is a decent recap for a history class.
Directed by Alex Gibney
Ken Lay / Jeffrey Skilling / Andrew Fastow
110 min. Documentary
(No original MPAA rating)
Edited version age recommendation: 10 and up
DVD release date: January 17, 2006
Copyright 2007.
JP0164 : 254
King Kong (2005)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 4, 2007
Peter Jackson’s “King Kong” remake is a masterpiece and nearly perfect. You must see this film. In fact, if I ever met a person who had never seen a movie, and I could only show her three movies, “King Kong” would be one of them.
To be objective, the two most common complaints about this movie are that it’s too long, about three hours long. The other complaint is that it takes too long (an hour) to get to Kong. But I suspect that Jackson was employing the anticipation technique that we experience with “Jaws” (1975). (The next time you watch that shark classic, note how long it takes to actually see the shark.)
These two complaints are legitimate, but only after your first viewing. Your first viewing of “King Kong” will fill you with wonder. When I first saw this in the theater, I had tears in my eyes from pure cinematic awe.
You already know the story from the 1933 original (If you don’t know the story and would rather learn it from the movie, skip this paragraph.): A filmmaker takes his crew to film the mysterious location of Skull Island. The travelers encounter an inhospitable place filled with unfriendly natives, prehistoric monsters and a giant gorilla called “Kong.” Kong claims Ann Darrow (Naomi Watts) and becomes infatuated with her. Writer Jack Driscoll (Adrien Brody) attempts to save her from the gorilla and Carl Denham (Jack Black) wants to capture Kong to take him back to New York to be a moneymaking spectacle.
This edited version removes the language and brief references to a burlesque theater. But the intense creature violence and harrowing situations remain in the edited version. “King Kong” really isn’t a movie for children, despite the monkey. For kids, rent “Curious George” (2006), instead.
But for a spectacular, action-adventure, creature-feature, “King Kong” is exceptional.
Directed by Peter Jackson
Naomi Watts / Adrien Brody / Jack Black
187 min. Adventure / Action
(Original MPAA rating: PG-13)
Edited version age recommendation: 13 and up
DVD release date: November 14, 2006
Copyright 2007.
JP0162 : 309
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 4, 2007
Peter Jackson’s “King Kong” remake is a masterpiece and nearly perfect. You must see this film. In fact, if I ever met a person who had never seen a movie, and I could only show her three movies, “King Kong” would be one of them.
To be objective, the two most common complaints about this movie are that it’s too long, about three hours long. The other complaint is that it takes too long (an hour) to get to Kong. But I suspect that Jackson was employing the anticipation technique that we experience with “Jaws” (1975). (The next time you watch that shark classic, note how long it takes to actually see the shark.)
These two complaints are legitimate, but only after your first viewing. Your first viewing of “King Kong” will fill you with wonder. When I first saw this in the theater, I had tears in my eyes from pure cinematic awe.
You already know the story from the 1933 original (If you don’t know the story and would rather learn it from the movie, skip this paragraph.): A filmmaker takes his crew to film the mysterious location of Skull Island. The travelers encounter an inhospitable place filled with unfriendly natives, prehistoric monsters and a giant gorilla called “Kong.” Kong claims Ann Darrow (Naomi Watts) and becomes infatuated with her. Writer Jack Driscoll (Adrien Brody) attempts to save her from the gorilla and Carl Denham (Jack Black) wants to capture Kong to take him back to New York to be a moneymaking spectacle.
This edited version removes the language and brief references to a burlesque theater. But the intense creature violence and harrowing situations remain in the edited version. “King Kong” really isn’t a movie for children, despite the monkey. For kids, rent “Curious George” (2006), instead.
But for a spectacular, action-adventure, creature-feature, “King Kong” is exceptional.
Directed by Peter Jackson
Naomi Watts / Adrien Brody / Jack Black
187 min. Adventure / Action
(Original MPAA rating: PG-13)
Edited version age recommendation: 13 and up
DVD release date: November 14, 2006
Copyright 2007.
JP0162 : 309
Changing Lanes (2002)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 4, 2007
“Changing Lanes” was released in 2002. But there is another movie (which is superior but different) that was released in 2006 called “The Prestige.” Both movies are about two men battling each other in escalating revenge, tit for tat. Both movies are consuming, and I recommend them.
Gavin Banek (Ben Affleck) and Doyle Gipson (Samuel L. Jackson) are both driving in busy, morning traffic on the FDR highway when they have a small fender bender. No one is hurt. Both are reasonably collected and commendably civil. But they are both in a profound hurry.
Doyle wants to do things “by the book” and exchange insurance information. Gavin simply needs to quickly be on his way, so he offers to leave a blank check with Doyle for damages. Doyle refuses because he wishes “to do this the right way.” Gavin does not comply and leaves.
This is the inciting incident that sets a series of events in motion like a snowball rolling down a slope. I will not disclose any more about the plot; but rest assured, “Changing Lanes” does an excellent job at depicting how scarily ugly vengefulness can become.
Where “Changing Lanes” goes amiss is with its characters: We should equally like and equally root for both individuals, back and forth, as their battle ensues. But we don’t, because, Gavin is too immoral. Neither person is an angel, but we tend to lean toward Doyle’s predicaments.
“The Prestige” corrects this oversight. We are equally heartbroken and equally angry with both of the movie’s characters as they trade blows.
Directed by Roger Michell
Samuel L. Jackson / Ben Affleck / Sydney Pollack
99 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 13 and up
DVD release date: September 10, 2002
Copyright 2007.
JP0161 : 259
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 4, 2007
“Changing Lanes” was released in 2002. But there is another movie (which is superior but different) that was released in 2006 called “The Prestige.” Both movies are about two men battling each other in escalating revenge, tit for tat. Both movies are consuming, and I recommend them.
Gavin Banek (Ben Affleck) and Doyle Gipson (Samuel L. Jackson) are both driving in busy, morning traffic on the FDR highway when they have a small fender bender. No one is hurt. Both are reasonably collected and commendably civil. But they are both in a profound hurry.
Doyle wants to do things “by the book” and exchange insurance information. Gavin simply needs to quickly be on his way, so he offers to leave a blank check with Doyle for damages. Doyle refuses because he wishes “to do this the right way.” Gavin does not comply and leaves.
This is the inciting incident that sets a series of events in motion like a snowball rolling down a slope. I will not disclose any more about the plot; but rest assured, “Changing Lanes” does an excellent job at depicting how scarily ugly vengefulness can become.
Where “Changing Lanes” goes amiss is with its characters: We should equally like and equally root for both individuals, back and forth, as their battle ensues. But we don’t, because, Gavin is too immoral. Neither person is an angel, but we tend to lean toward Doyle’s predicaments.
“The Prestige” corrects this oversight. We are equally heartbroken and equally angry with both of the movie’s characters as they trade blows.
Directed by Roger Michell
Samuel L. Jackson / Ben Affleck / Sydney Pollack
99 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 13 and up
DVD release date: September 10, 2002
Copyright 2007.
JP0161 : 259
Field of Dreams (1989)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 4, 2007
I am part of an unpopular minority, but I must confess that I don’t love “Field of Dreams” the way everyone else seems to. Chances are you’ve seen this movie about 100 times. But if you haven’t, I have indicated that it is a “Good video rental” because it is well made, and it clearly has undeniable widespread appeal.
In my mind, “Field of Dreams” is about as American as apple pie and baseball; perhaps that’s because baseball is a major part of this movie. When you watch this again, take note: The very best part is the first five minutes of Kevin Costner’s voice-over narration. While he talks, we get what is called a “filmograph sequence,” which combines still photos and live action to make a creative montage, of sorts. This portion of the film is its masterstroke.
Ray Kinsella (Kevin Costner) is a new corn farmer in Iowa. One day he begins to hear “The Voice,” which tells him, “If you build it, he will come.” Ray learns that he is being instructed to build a baseball field in the middle of his corn field. Obeying this construction commission rewards Ray with unlikely visitors. The Voice keeps instructing Ray further, and he keeps following its instructions. The Voice has an eventual purpose for giving Ray these baseball-related chores.
“Field of Dreams” is pleasant, mystical, sweet and warmhearted; it is a good choice for “a family movie” ... much better, for example, than something like “Cheaper by the Dozen” (2003) or “RV” (2006). Please don’t subject your children to such things. I will have to report you.
Directed by Phil Alden Robinson
Kevin Costner / Ray Liotta / James Earl Jones
107 min. Fantasy / Drama
(Original MPAA rating: PG)
Edited version age recommendation: 8 and up
DVD release date: June 8, 2004
Copyright 2007.
JP0163 : 268
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / August 4, 2007
I am part of an unpopular minority, but I must confess that I don’t love “Field of Dreams” the way everyone else seems to. Chances are you’ve seen this movie about 100 times. But if you haven’t, I have indicated that it is a “Good video rental” because it is well made, and it clearly has undeniable widespread appeal.
In my mind, “Field of Dreams” is about as American as apple pie and baseball; perhaps that’s because baseball is a major part of this movie. When you watch this again, take note: The very best part is the first five minutes of Kevin Costner’s voice-over narration. While he talks, we get what is called a “filmograph sequence,” which combines still photos and live action to make a creative montage, of sorts. This portion of the film is its masterstroke.
Ray Kinsella (Kevin Costner) is a new corn farmer in Iowa. One day he begins to hear “The Voice,” which tells him, “If you build it, he will come.” Ray learns that he is being instructed to build a baseball field in the middle of his corn field. Obeying this construction commission rewards Ray with unlikely visitors. The Voice keeps instructing Ray further, and he keeps following its instructions. The Voice has an eventual purpose for giving Ray these baseball-related chores.
“Field of Dreams” is pleasant, mystical, sweet and warmhearted; it is a good choice for “a family movie” ... much better, for example, than something like “Cheaper by the Dozen” (2003) or “RV” (2006). Please don’t subject your children to such things. I will have to report you.
Directed by Phil Alden Robinson
Kevin Costner / Ray Liotta / James Earl Jones
107 min. Fantasy / Drama
(Original MPAA rating: PG)
Edited version age recommendation: 8 and up
DVD release date: June 8, 2004
Copyright 2007.
JP0163 : 268
Thank You for Smoking (2005)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
Yes, the title is actually “Thank You for Smoking.” The writing for this movie (specifically the dialogue) is nothing less than verbal euphoria. Indeed, “Thank You for Smoking” is excellent and a must-see.
Nick Naylor (Aaron Eckhart) is often equated with the devil himself. Why? Because he is a silver-tongued lobbyist who speaks on behalf of Big Tobacco, defending and promoting cigarettes. Seems like an impossible job, right? Well, you will not believe Nick’s skill with words and manipulation.
Basically, the movie shows us Nick hard at work, promoting and protecting his poison. We also witness the efforts of his outraged enemies and the adoration of his impressionable son, Joey (Cameron Bright).
Though this may sound like a horror movie, “Thank You for Smoking” is actually an effective, intelligent comedy. This movie has that slick look of greatness and the writing to match. The last time I can remember having this much fun listening to something was 1989 when I bought the tape of DJ Jazzy Jeff and the Fresh Prince’s (Will Smith) “He’s the DJ, I’m the Rapper” album.
If you wish to be delighted and entertained, rent “Thank You for Smoking.” It doesn’t pitch that smoking is cool, but it makes a convincing case for being a good liar.
Directed by Jason Reitman
Aaron Eckhart / Cameron Bright / Robert Duvall
92 min. Comedy
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: October 3, 2006
Copyright 2007.
JP0156 : 211
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
Yes, the title is actually “Thank You for Smoking.” The writing for this movie (specifically the dialogue) is nothing less than verbal euphoria. Indeed, “Thank You for Smoking” is excellent and a must-see.
Nick Naylor (Aaron Eckhart) is often equated with the devil himself. Why? Because he is a silver-tongued lobbyist who speaks on behalf of Big Tobacco, defending and promoting cigarettes. Seems like an impossible job, right? Well, you will not believe Nick’s skill with words and manipulation.
Basically, the movie shows us Nick hard at work, promoting and protecting his poison. We also witness the efforts of his outraged enemies and the adoration of his impressionable son, Joey (Cameron Bright).
Though this may sound like a horror movie, “Thank You for Smoking” is actually an effective, intelligent comedy. This movie has that slick look of greatness and the writing to match. The last time I can remember having this much fun listening to something was 1989 when I bought the tape of DJ Jazzy Jeff and the Fresh Prince’s (Will Smith) “He’s the DJ, I’m the Rapper” album.
If you wish to be delighted and entertained, rent “Thank You for Smoking.” It doesn’t pitch that smoking is cool, but it makes a convincing case for being a good liar.
Directed by Jason Reitman
Aaron Eckhart / Cameron Bright / Robert Duvall
92 min. Comedy
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: October 3, 2006
Copyright 2007.
JP0156 : 211
The Good Girl (2002)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
When you hear what this movie is about, you’re going to think that “The Good Girl” is a misnomer. Justine Last (Jennifer Aniston) really is a good girl, deep down, but she just keeps making very bad decisions.
As the movie opens, our ears twitch to hear Jennifer Aniston affect a southern accent. It’s bothersome for a few minutes, but go with it. You’ll get used to it.
Justine works as a clerk at the Retail Rodeo in a small town in Texas. She’s deeply depressed and discontent. She hates her job. Her clueless husband (John C. Reilly) is a pot-smokin’ couch potato, along with his friend, Bubba (Tim Blake Nelson).
Now, I’ll break here to tell you that the casting for this movie is absolutely perfect, perhaps the best I’ve seen, at least since “The Wizard of Oz” (1939).
Inevitably, as is standard in such movies, a fresh-faced young man (Jake Gyllenhaal) begins working at the Retail Rodeo and catches Justine’s eye.
Now, I’m sure you can guess what happens next. But what happens after that, and after that, and after that — you’d never guess. This is one of those movies that, when it ends, you really aren’t sure how you should feel. You only know that you’re feeling something, and it’s strong.
Directed by Miguel Arteta
Jennifer Aniston / Jake Gyllenhaal / Tim Blake Nelson
93 min. Drama / Romance
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: February 1, 2005
Copyright 2007.
JP0155 : 230
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
When you hear what this movie is about, you’re going to think that “The Good Girl” is a misnomer. Justine Last (Jennifer Aniston) really is a good girl, deep down, but she just keeps making very bad decisions.
As the movie opens, our ears twitch to hear Jennifer Aniston affect a southern accent. It’s bothersome for a few minutes, but go with it. You’ll get used to it.
Justine works as a clerk at the Retail Rodeo in a small town in Texas. She’s deeply depressed and discontent. She hates her job. Her clueless husband (John C. Reilly) is a pot-smokin’ couch potato, along with his friend, Bubba (Tim Blake Nelson).
Now, I’ll break here to tell you that the casting for this movie is absolutely perfect, perhaps the best I’ve seen, at least since “The Wizard of Oz” (1939).
Inevitably, as is standard in such movies, a fresh-faced young man (Jake Gyllenhaal) begins working at the Retail Rodeo and catches Justine’s eye.
Now, I’m sure you can guess what happens next. But what happens after that, and after that, and after that — you’d never guess. This is one of those movies that, when it ends, you really aren’t sure how you should feel. You only know that you’re feeling something, and it’s strong.
Directed by Miguel Arteta
Jennifer Aniston / Jake Gyllenhaal / Tim Blake Nelson
93 min. Drama / Romance
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: February 1, 2005
Copyright 2007.
JP0155 : 230
Good Night, and Good Luck (2005)
O An excellent must-see
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
Just in case, allow me to make sure you know three things about this movie before renting it:
First, it is filmed in beautiful black and white. (I mention this because some people refuse to watch black-and-white films.)
Second, even though it was co-written and directed by George Clooney, “Good Night, and Good Luck.” is not a George Clooney film, per se. Sure, he’s in it, but not very much ... just so you know.
Third, unless you’re a history buff, older than 70, or just have an interest in McCarthy’s Red Scare and the 1950s, then this movie probably isn’t for you.
Watching “Good Night, and Good Luck.” feels like you’re dozing off and dreaming during history class. But don’t get me wrong; it’s well done all the way around. This movie is well written, well acted and well ... a little boring. It is only marginally interesting, sometimes.
With a blend of fly-on-the-wall perspective and excellent archival footage, “Good Night, and Good Luck.” plays more like a History Channel documentary, which is a compliment. It recounts the historical fight that CBS’s Edward R. Murrow (David Strathairn) started with Senator Joseph McCarthy via television broadcast in 1954.
Murrow (and others) were concerned that McCarthy’s Communist fear-mongering was leading to infringements of U.S. citizens’ constitutional rights. In return, McCarthy retorted with accusations that questioned Murrow’s loyalty to the United States. And so on and so forth.
The file footage and old commercials are fascinating, but the film ends rather abruptly and is, overall, not very satisfying.
Directed by George Clooney
David Strathairn / George Clooney / Robert Downey Jr.
93 min. Drama / Historical
(Original MPAA rating: PG)
Edited version age recommendation: 10 and up
DVD release date: September 7, 2006
Copyright 2007.
JP0159 : 254
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
Just in case, allow me to make sure you know three things about this movie before renting it:
First, it is filmed in beautiful black and white. (I mention this because some people refuse to watch black-and-white films.)
Second, even though it was co-written and directed by George Clooney, “Good Night, and Good Luck.” is not a George Clooney film, per se. Sure, he’s in it, but not very much ... just so you know.
Third, unless you’re a history buff, older than 70, or just have an interest in McCarthy’s Red Scare and the 1950s, then this movie probably isn’t for you.
Watching “Good Night, and Good Luck.” feels like you’re dozing off and dreaming during history class. But don’t get me wrong; it’s well done all the way around. This movie is well written, well acted and well ... a little boring. It is only marginally interesting, sometimes.
With a blend of fly-on-the-wall perspective and excellent archival footage, “Good Night, and Good Luck.” plays more like a History Channel documentary, which is a compliment. It recounts the historical fight that CBS’s Edward R. Murrow (David Strathairn) started with Senator Joseph McCarthy via television broadcast in 1954.
Murrow (and others) were concerned that McCarthy’s Communist fear-mongering was leading to infringements of U.S. citizens’ constitutional rights. In return, McCarthy retorted with accusations that questioned Murrow’s loyalty to the United States. And so on and so forth.
The file footage and old commercials are fascinating, but the film ends rather abruptly and is, overall, not very satisfying.
Directed by George Clooney
David Strathairn / George Clooney / Robert Downey Jr.
93 min. Drama / Historical
(Original MPAA rating: PG)
Edited version age recommendation: 10 and up
DVD release date: September 7, 2006
Copyright 2007.
JP0159 : 254
Rumor Has It (2005)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
In 1967, Dustin Hoffman and Anne Bancroft made a little movie called "The Graduate." Most people are familiar with it and consider it a classic. That movie never officially had a sequel, but in 2005 it came close with "Rumor Has It." This Jennifer Aniston / Kevin Costner movie is almost a sequel to the original 1967 film (but not quite).
"Rumor Has It" works from this premise: "The Graduate" was about real people whose actual names were never revealed to the public. The real-life Benjamin Braddock is actually Beau Burroughs (Kevin Costner). And the real-life Mrs. Robinson is played wonderfully well by Shirley MacLaine. Jennifer Aniston's character happens to be the real Mrs. Robinson's granddaughter.
"Rumor Has It" is a delightful comedy that has lots of fun with exploring the characters from "The Graduate" — 30-some years later. Sarah (Jennifer Aniston) is mixed up about her life and her identity. When Sarah learns that she may be intimately affiliated with the scenarios found in "The Graduate," it only enhances her confusion.
Watching "Rumor Has It" is comparable to eating those big, fluffy, orange circus peanuts: You know it has no real nutritional value, but you thoroughly enjoy it, anyway.
Directed by Rob Reiner
Jennifer Aniston / Kevin Costner / Shirley MacLaine
96 min. Drama / Comedy
(Original MPAA rating:PG-13)
Edited version age recommendation: 13 and up
DVD release date: May 9, 2006
Copyright 2007.
JP0151 : 199
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
In 1967, Dustin Hoffman and Anne Bancroft made a little movie called "The Graduate." Most people are familiar with it and consider it a classic. That movie never officially had a sequel, but in 2005 it came close with "Rumor Has It." This Jennifer Aniston / Kevin Costner movie is almost a sequel to the original 1967 film (but not quite).
"Rumor Has It" works from this premise: "The Graduate" was about real people whose actual names were never revealed to the public. The real-life Benjamin Braddock is actually Beau Burroughs (Kevin Costner). And the real-life Mrs. Robinson is played wonderfully well by Shirley MacLaine. Jennifer Aniston's character happens to be the real Mrs. Robinson's granddaughter.
"Rumor Has It" is a delightful comedy that has lots of fun with exploring the characters from "The Graduate" — 30-some years later. Sarah (Jennifer Aniston) is mixed up about her life and her identity. When Sarah learns that she may be intimately affiliated with the scenarios found in "The Graduate," it only enhances her confusion.
Watching "Rumor Has It" is comparable to eating those big, fluffy, orange circus peanuts: You know it has no real nutritional value, but you thoroughly enjoy it, anyway.
Directed by Rob Reiner
Jennifer Aniston / Kevin Costner / Shirley MacLaine
96 min. Drama / Comedy
(Original MPAA rating:PG-13)
Edited version age recommendation: 13 and up
DVD release date: May 9, 2006
Copyright 2007.
JP0151 : 199
Friends With Money (2006)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
“Friends With Money” is a pensive, reflective drama about a sad group of people. These friends have weightier problems than the group of “Friends” that we usually associate Jennifer Aniston with. If you like stories that are sketches about characters who are tangible people, then buy some Ben & Jerry’s and rent “Friends With Money.”
Olivia (Jennifer Aniston) is unmarried and works as a cleaning lady, much to the chagrin of her rich friends. She used to be a teacher, but kids say the darndest things. She likes smoking marijuana, free cosmetic samples and wishful thinking about finding the right guy.
Olivia’s wealthy friends are a mostly motley crew: Jane (Frances McDormand, “Fargo”) is a clothing designer who is “falling down,” much like Michael Douglas’s William Foster. She is married to the effeminate Aaron (Simon McBurney), who is one of the movie’s nicest characters but is highly sought after by gay men.
Christine and David are co-writers whose home improvements are almost as insensitive as their marriage. Franny and Matt are semi-normal, self-absorbed and determined to rope their cronies into attending the culminating fundraiser dinner.
There are other interesting individuals whom you will meet, should you see this movie. As for the editing, the drugs and gay themes are recurring, but “Friends With Money” has otherwise been rendered benign.
Directed by Nicole Holofcener
Jennifer Aniston / Frances McDormand / Jake Cherry
88 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: August 29, 2006
Copyright 2007.
JP0153 : 219
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
“Friends With Money” is a pensive, reflective drama about a sad group of people. These friends have weightier problems than the group of “Friends” that we usually associate Jennifer Aniston with. If you like stories that are sketches about characters who are tangible people, then buy some Ben & Jerry’s and rent “Friends With Money.”
Olivia (Jennifer Aniston) is unmarried and works as a cleaning lady, much to the chagrin of her rich friends. She used to be a teacher, but kids say the darndest things. She likes smoking marijuana, free cosmetic samples and wishful thinking about finding the right guy.
Olivia’s wealthy friends are a mostly motley crew: Jane (Frances McDormand, “Fargo”) is a clothing designer who is “falling down,” much like Michael Douglas’s William Foster. She is married to the effeminate Aaron (Simon McBurney), who is one of the movie’s nicest characters but is highly sought after by gay men.
Christine and David are co-writers whose home improvements are almost as insensitive as their marriage. Franny and Matt are semi-normal, self-absorbed and determined to rope their cronies into attending the culminating fundraiser dinner.
There are other interesting individuals whom you will meet, should you see this movie. As for the editing, the drugs and gay themes are recurring, but “Friends With Money” has otherwise been rendered benign.
Directed by Nicole Holofcener
Jennifer Aniston / Frances McDormand / Jake Cherry
88 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: August 29, 2006
Copyright 2007.
JP0153 : 219
There's Something About Mary (1998)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
I dare anyone to challenge this statement: “There’s Something About Mary” is THE comedy of the ‘90s.
This is not my own sweeping conviction, mind you; but I submit that this movie was the most popular, most beloved comedy of the decade. As for my opinion, it’s fun, but it’s no masterpiece. The Farrelly brothers lose the reigns and the movie dives over the top on a few occasions.
But the premise is beautiful: It opens in Rhode Island, circa 1985. Awkward, nerdy Ted (Ben Stiller) proves that nice guys don’t always finish last by earning an invite to the prom from Mary Jensen (Cameron Diaz), the perfect gal. But a horrific “wardrobe malfunction” blows Ted’s chances of enjoying that date.
Years later Ted is still lamenting about what might have been, so he hires a low-life private investigator (Matt Dillon) to look Mary up. Unfortunately for Ted, the P.I. decides that there’s something about Mary that he likes, too. Essentially, we get a romantic comedy (minus the romance), where silly, scheming guys compete for the heart of a saccharine-sweet girl.
“There’s Something About Mary” has some unforgettable surprises (some of which had to be completely edited out for this version). The movie is still quite funny, coherent and entertaining.
If you haven’t seen “There’s Something About Mary,” you really should. After all, it was THE comedy of the ‘90s.
Directed by Bobby Farrelly and Peter Farrelly
Cameron Diaz / Ben Stiller / Matt Dillon
119 min. Comedy
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: February 1, 2005
Copyright 2007.
JP0154 : 230
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
I dare anyone to challenge this statement: “There’s Something About Mary” is THE comedy of the ‘90s.
This is not my own sweeping conviction, mind you; but I submit that this movie was the most popular, most beloved comedy of the decade. As for my opinion, it’s fun, but it’s no masterpiece. The Farrelly brothers lose the reigns and the movie dives over the top on a few occasions.
But the premise is beautiful: It opens in Rhode Island, circa 1985. Awkward, nerdy Ted (Ben Stiller) proves that nice guys don’t always finish last by earning an invite to the prom from Mary Jensen (Cameron Diaz), the perfect gal. But a horrific “wardrobe malfunction” blows Ted’s chances of enjoying that date.
Years later Ted is still lamenting about what might have been, so he hires a low-life private investigator (Matt Dillon) to look Mary up. Unfortunately for Ted, the P.I. decides that there’s something about Mary that he likes, too. Essentially, we get a romantic comedy (minus the romance), where silly, scheming guys compete for the heart of a saccharine-sweet girl.
“There’s Something About Mary” has some unforgettable surprises (some of which had to be completely edited out for this version). The movie is still quite funny, coherent and entertaining.
If you haven’t seen “There’s Something About Mary,” you really should. After all, it was THE comedy of the ‘90s.
Directed by Bobby Farrelly and Peter Farrelly
Cameron Diaz / Ben Stiller / Matt Dillon
119 min. Comedy
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: February 1, 2005
Copyright 2007.
JP0154 : 230
Outbreak (1995)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
"Outbreak" is a fun, thrilling movie because it puts us face to face with the unthinkable: a deadly virus epidemic spreading in the United States.
This movie is about 12 years old now; but with fears of bird flu and biological terrorism, this is still a timely film and unfortunately, probably always will be.
When a dreadful disease called Motaba is unwittingly brought into the U.S. through animal smugglers, its repercussions are hideously disastrous. Sam Daniels (Dustin Hoffman) works for the Army and is an expert on disease-causing organisms. He becomes the alarmist, warning voice against the contagious bug, but is, of course, disregarded to the detriment of many.
"Outbreak" is suspenseful and fiendish in its devilish scenarios. For example, we nervously watch the disease-carrying monkey approach a little girl who loves animals. We cringe and squirm. And more than anything, "Outbreak" is one of those "race against time" movies.
The edited version omits the profanity. But we still see the visually unpleasant effects that the disease has on its victims. Naturally, "Outbreak" is shamelessly contrived, but a good rental choice for those who are entertained by disaster movies.
Directed by Wolfgang Petersen
Dustin Hoffman / Morgan Freeman / Cuba Gooding Jr.
127 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 13 and up
DVD release date: May 21, 1997
Copyright 2007.
JP0150 : 189
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
"Outbreak" is a fun, thrilling movie because it puts us face to face with the unthinkable: a deadly virus epidemic spreading in the United States.
This movie is about 12 years old now; but with fears of bird flu and biological terrorism, this is still a timely film and unfortunately, probably always will be.
When a dreadful disease called Motaba is unwittingly brought into the U.S. through animal smugglers, its repercussions are hideously disastrous. Sam Daniels (Dustin Hoffman) works for the Army and is an expert on disease-causing organisms. He becomes the alarmist, warning voice against the contagious bug, but is, of course, disregarded to the detriment of many.
"Outbreak" is suspenseful and fiendish in its devilish scenarios. For example, we nervously watch the disease-carrying monkey approach a little girl who loves animals. We cringe and squirm. And more than anything, "Outbreak" is one of those "race against time" movies.
The edited version omits the profanity. But we still see the visually unpleasant effects that the disease has on its victims. Naturally, "Outbreak" is shamelessly contrived, but a good rental choice for those who are entertained by disaster movies.
Directed by Wolfgang Petersen
Dustin Hoffman / Morgan Freeman / Cuba Gooding Jr.
127 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 13 and up
DVD release date: May 21, 1997
Copyright 2007.
JP0150 : 189
Falling Down (1993)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
"Falling Down" ranks among my top 25, all-time favorite films. I have seen it many times, and it never gets old. "Falling Down" is a must-see.
This movie is a drama that initially plays like a comedy. The key to a successful movie is one where we, the audience, can relate to the characters. Even though Michael Douglas plays a man who's lost his mind, I suspect that most people can relate to his frustrations.
Bill Foster (Michael Douglas) has "had it up to here" with his life and its myriad frustrations. One day he snaps and decides to "go home." Unfortunately, he is divorced and unwelcome at his daughter's birthday party.
No matter. Foster abandons his car in a traffic jam and begins walking across town to see his daughter and ex-wife. And he doesn't let anything (or anybody) get in his way.
There is a concept called "the Ideological Safety Valve." It is often used to defend violent filmmaking. The theory is, that we enjoy violent movies where we can watch characters participate in violent acts that we secretly would like to do ourselves. But since we vicariously watch them in movies, then we don't have to do those things in real life … hence, the safety valve.
I don't know if that is really true; perhaps it's the other way around, meaning people see violence then mimic it. But I've also felt like I was "falling down" (more than once) while trying to order at fast-food restaurants.
Directed by Joel Schumacher
Michael Douglas / Robert Duvall / Barbara Hershey
113 min. Drama / Comedy
(Original MPAA rating: R)
Edited version age recommendation: 13 and up
DVD release date: October 26, 1999
Copyright 2007.
JP0152 : 250
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / July 28, 2007
"Falling Down" ranks among my top 25, all-time favorite films. I have seen it many times, and it never gets old. "Falling Down" is a must-see.
This movie is a drama that initially plays like a comedy. The key to a successful movie is one where we, the audience, can relate to the characters. Even though Michael Douglas plays a man who's lost his mind, I suspect that most people can relate to his frustrations.
Bill Foster (Michael Douglas) has "had it up to here" with his life and its myriad frustrations. One day he snaps and decides to "go home." Unfortunately, he is divorced and unwelcome at his daughter's birthday party.
No matter. Foster abandons his car in a traffic jam and begins walking across town to see his daughter and ex-wife. And he doesn't let anything (or anybody) get in his way.
There is a concept called "the Ideological Safety Valve." It is often used to defend violent filmmaking. The theory is, that we enjoy violent movies where we can watch characters participate in violent acts that we secretly would like to do ourselves. But since we vicariously watch them in movies, then we don't have to do those things in real life … hence, the safety valve.
I don't know if that is really true; perhaps it's the other way around, meaning people see violence then mimic it. But I've also felt like I was "falling down" (more than once) while trying to order at fast-food restaurants.
Directed by Joel Schumacher
Michael Douglas / Robert Duvall / Barbara Hershey
113 min. Drama / Comedy
(Original MPAA rating: R)
Edited version age recommendation: 13 and up
DVD release date: October 26, 1999
Copyright 2007.
JP0152 : 250
Free Zone (2005)
O An excellent must-see
O Good video rental
O Mediocre
X Rent something else
Review by Jason Pyles / July 23, 2007
“Free Zone” is only a good rental choice for two kinds of people: those who have an unconditional love for cinema and those who have an unconditional love for Natalie Portman.
I thought I had an unconditional love for cinema until I watched “Free Zone.” I love movies a lot, but not this much. “Free Zone” is hard to watch. Here is a perfect example of why:
For approximately the first six minutes of the film, we see an uninterrupted, close-up, profile shot of Natalie Portman crying in a car — with no dialogue. Then, for three additional minutes, the dialogue begins, and the camera remains on Portman’s face. This is the first nine minutes of “Free Zone.” Artsy? Yes. Entertaining? No.
“Free Zone” is set in the Middle East, is subtitled half the time, and is about an American girl from New York named Rebecca (Natalie Portman) who just broke up with her fiancé, Julio. So, she asks to tag along with her driver, Hanna (Hanna Laszlo), who is traveling to the Free Zone to collect money from her husband’s business partner, which proves to be an uneasy task.
And, of course, “Free Zone” is replete with symbolism of the conflict and unrest of the region. You may think I’m being lazy, but that’s about it.
Directed by Amos Gitai
Natalie Portman / Hanna Laszlo / Hiam Abbass
90 min. Drama
(No MPAA rating)
Edited version age recommendation: 12 and up
DVD release date: May 29, 2007
Copyright 2007.
JP0149 : 216
O Good video rental
O Mediocre
X Rent something else
Review by Jason Pyles / July 23, 2007
“Free Zone” is only a good rental choice for two kinds of people: those who have an unconditional love for cinema and those who have an unconditional love for Natalie Portman.
I thought I had an unconditional love for cinema until I watched “Free Zone.” I love movies a lot, but not this much. “Free Zone” is hard to watch. Here is a perfect example of why:
For approximately the first six minutes of the film, we see an uninterrupted, close-up, profile shot of Natalie Portman crying in a car — with no dialogue. Then, for three additional minutes, the dialogue begins, and the camera remains on Portman’s face. This is the first nine minutes of “Free Zone.” Artsy? Yes. Entertaining? No.
“Free Zone” is set in the Middle East, is subtitled half the time, and is about an American girl from New York named Rebecca (Natalie Portman) who just broke up with her fiancé, Julio. So, she asks to tag along with her driver, Hanna (Hanna Laszlo), who is traveling to the Free Zone to collect money from her husband’s business partner, which proves to be an uneasy task.
And, of course, “Free Zone” is replete with symbolism of the conflict and unrest of the region. You may think I’m being lazy, but that’s about it.
Directed by Amos Gitai
Natalie Portman / Hanna Laszlo / Hiam Abbass
90 min. Drama
(No MPAA rating)
Edited version age recommendation: 12 and up
DVD release date: May 29, 2007
Copyright 2007.
JP0149 : 216
Bobby (2006)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / June 23, 2007
Robert Kennedy won California’s primary election on June 5, 1968. That night, after giving a speech in the ballroom of his headquarters at the Ambassador Hotel in Los Angeles, Kennedy was shot in the head by a Jordanian immigrant named Sirhan Sirhan. Kennedy died the next day.
Writing that isn’t a spoiler because people already know the story, and “Bobby” isn’t really about the assassination, anyway. Emilio Estevez wrote and directed this movie that focuses on satellite stories of fictitious human dramas that surround the events of that night.
Basically, to describe each of these tiny storylines is to give away the movie. Since there are a number of plot threads, each story only gets limited attention. But the huge, star-studded cast makes these mini dramas interesting enough.
Don’t mistake “Bobby” for an accurate, historical depiction. In fact, Kennedy is hardly in the movie at all. Most of his appearances are actual file footage. The actor who plays Kennedy doesn’t appear until about 75 minutes into the film.
This edited version has brief innuendo; several drug depictions; references to northward, female body parts and ample blood.
Overall, “Bobby” isn’t exceptional, but it’s a decent, historical fiction drama.
Directed by Emilio Estevez
Anthony Hopkins / Laurence Fishburne / William H. Macy
120 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 13 and up
DVD release date: April 10, 2007
Copyright 2007.
JP0137 : 197
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / June 23, 2007
Robert Kennedy won California’s primary election on June 5, 1968. That night, after giving a speech in the ballroom of his headquarters at the Ambassador Hotel in Los Angeles, Kennedy was shot in the head by a Jordanian immigrant named Sirhan Sirhan. Kennedy died the next day.
Writing that isn’t a spoiler because people already know the story, and “Bobby” isn’t really about the assassination, anyway. Emilio Estevez wrote and directed this movie that focuses on satellite stories of fictitious human dramas that surround the events of that night.
Basically, to describe each of these tiny storylines is to give away the movie. Since there are a number of plot threads, each story only gets limited attention. But the huge, star-studded cast makes these mini dramas interesting enough.
Don’t mistake “Bobby” for an accurate, historical depiction. In fact, Kennedy is hardly in the movie at all. Most of his appearances are actual file footage. The actor who plays Kennedy doesn’t appear until about 75 minutes into the film.
This edited version has brief innuendo; several drug depictions; references to northward, female body parts and ample blood.
Overall, “Bobby” isn’t exceptional, but it’s a decent, historical fiction drama.
Directed by Emilio Estevez
Anthony Hopkins / Laurence Fishburne / William H. Macy
120 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 13 and up
DVD release date: April 10, 2007
Copyright 2007.
JP0137 : 197
Wide Awake (2006)
O An excellent must-see
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / June 15, 2007
Alan Berliner claims to have a problem: insomnia. It’s not that I disbelieve that he’s afflicted with what we might call “problematic sleep habits,” I just don’t think their problematic for him. In fact, I’d say this guy likes being an insomniac.
“Wide Awake” is a documentary about the filmmaker himself. Typically, he gets about three hours of sleep each night (and it’s not always restful sleep). He thrives in the wee hours of the middle of the night. Consequently, he has been exhausted during the daytime for years.
Such a documentary subject sounds rather interesting; but ironically, this film tends to make you sleepy. I got tired just watching Berliner, partially from boredom. But this film is not without interest: Berliner’s supplementary montages rival that of any other filmmaker. He has an uncanny ability to include obscure, relevant footage.
This talent turns out to be one of Berliner’s best eccentricities. He is a collector with unsurpassed talents in cataloguing his treasures. His collections should have been the focus of his documentary. Wow. Then he would have had something truly fascinating to show us.
Instead, Berliner films himself drinking a cup of coffee ... while describing this process.
Directed by Alan Berliner
Alan Berliner / William C. Dement
90 min. Documentary
(No original MPAA rating)
Edited version age recommendation: 8 and up
DVD release date: May 29, 2007
Copyright 2007.
JP0128 : 198
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / June 15, 2007
Alan Berliner claims to have a problem: insomnia. It’s not that I disbelieve that he’s afflicted with what we might call “problematic sleep habits,” I just don’t think their problematic for him. In fact, I’d say this guy likes being an insomniac.
“Wide Awake” is a documentary about the filmmaker himself. Typically, he gets about three hours of sleep each night (and it’s not always restful sleep). He thrives in the wee hours of the middle of the night. Consequently, he has been exhausted during the daytime for years.
Such a documentary subject sounds rather interesting; but ironically, this film tends to make you sleepy. I got tired just watching Berliner, partially from boredom. But this film is not without interest: Berliner’s supplementary montages rival that of any other filmmaker. He has an uncanny ability to include obscure, relevant footage.
This talent turns out to be one of Berliner’s best eccentricities. He is a collector with unsurpassed talents in cataloguing his treasures. His collections should have been the focus of his documentary. Wow. Then he would have had something truly fascinating to show us.
Instead, Berliner films himself drinking a cup of coffee ... while describing this process.
Directed by Alan Berliner
Alan Berliner / William C. Dement
90 min. Documentary
(No original MPAA rating)
Edited version age recommendation: 8 and up
DVD release date: May 29, 2007
Copyright 2007.
JP0128 : 198
The Weather Man (2005)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / June 15, 2007
“The Weather Man” is an excellent film; but most people, I suspect, will probably just think it’s just so-so. Some will think it’s more depressing than funny, and others, vice versa.
David Spritz (Nicolas Cage) is not a loser. He’s actually a remarkably patient person who’s just unlucky — consistently. But his patience is limited to family members. Outside his family, he’s a loose cannon.
Basically, this movie depicts the struggles of a weather man who’s trying to get back together with his wife and connect with his two unhappy children. He seeks the approval of his critical father. And Spritz is also aspiring to get a job on Bryant Gumbel’s national morning news show, “Hello America.” In short, he wants himself and those he loves to be happy.
The movie’s pace doesn’t hurry one bit, much like real life. Cage’s intermittent narration is excellent. He is a master at odd characters, and this weather man is perfect for him. I especially admired how Spritz’s newfound hobby (archery) becomes indicative of the aims of his life.
In addition to using the phrase “Spritz Nipper” successfully, “The Weather Man” incorporates Bob Seger’s “Like a Rock” song in a moving way.
Directed by Gore Verbinski
Nicolas Cage / Michael Caine / Hope Davis
101 min. Drama / Comedy
(Original MPAA rating: R)
Edited version age recommendation: 12 and up
DVD release date: February 21, 2006
Copyright 2007.
JP0129 : 198
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / June 15, 2007
“The Weather Man” is an excellent film; but most people, I suspect, will probably just think it’s just so-so. Some will think it’s more depressing than funny, and others, vice versa.
David Spritz (Nicolas Cage) is not a loser. He’s actually a remarkably patient person who’s just unlucky — consistently. But his patience is limited to family members. Outside his family, he’s a loose cannon.
Basically, this movie depicts the struggles of a weather man who’s trying to get back together with his wife and connect with his two unhappy children. He seeks the approval of his critical father. And Spritz is also aspiring to get a job on Bryant Gumbel’s national morning news show, “Hello America.” In short, he wants himself and those he loves to be happy.
The movie’s pace doesn’t hurry one bit, much like real life. Cage’s intermittent narration is excellent. He is a master at odd characters, and this weather man is perfect for him. I especially admired how Spritz’s newfound hobby (archery) becomes indicative of the aims of his life.
In addition to using the phrase “Spritz Nipper” successfully, “The Weather Man” incorporates Bob Seger’s “Like a Rock” song in a moving way.
Directed by Gore Verbinski
Nicolas Cage / Michael Caine / Hope Davis
101 min. Drama / Comedy
(Original MPAA rating: R)
Edited version age recommendation: 12 and up
DVD release date: February 21, 2006
Copyright 2007.
JP0129 : 198
United 93 (2006)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / June 8, 2007
When I watch “United 93,” the phrase “an important film” comes to mind.
I’d like to make clear that this film does not exploit the ill-fated flight(s) of September 11, 2001, but it does relive them. If you were like most of America and had a strong emotional reaction that day, you’ll experience it anew while watching “United 93.”
Much of the movie (if not most) takes place amid the chaos and confusion of various air traffic control centers. The narrative recreates the events of the day, beginning with the terrorists praying in the early hours of the morning, preparing for their mission.
We see actual footage of the towers, and the other three flights are discussed, but we only see the onboard goings-on of flight 93, the plane that crashed in Pennsylvania from an insurrection of courageous passengers.
To add to the authenticity of the film, many of the actual control center personnel on duty that day reenacted their same roles, including Ben Sliney.
Edited or not, this film is still upsetting no matter how you slice it. Even so, it’s an important historical film and a cinematic treasure depicting one of America’s darkest days.
Directed by Paul Greengrass
Ben Sliney / Peter Hermann / Saeed Al Ghamdi
111 min. Drama / Historical
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: September 5, 2006
Copyright 2007.
JP0124 : 196
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / June 8, 2007
When I watch “United 93,” the phrase “an important film” comes to mind.
I’d like to make clear that this film does not exploit the ill-fated flight(s) of September 11, 2001, but it does relive them. If you were like most of America and had a strong emotional reaction that day, you’ll experience it anew while watching “United 93.”
Much of the movie (if not most) takes place amid the chaos and confusion of various air traffic control centers. The narrative recreates the events of the day, beginning with the terrorists praying in the early hours of the morning, preparing for their mission.
We see actual footage of the towers, and the other three flights are discussed, but we only see the onboard goings-on of flight 93, the plane that crashed in Pennsylvania from an insurrection of courageous passengers.
To add to the authenticity of the film, many of the actual control center personnel on duty that day reenacted their same roles, including Ben Sliney.
Edited or not, this film is still upsetting no matter how you slice it. Even so, it’s an important historical film and a cinematic treasure depicting one of America’s darkest days.
Directed by Paul Greengrass
Ben Sliney / Peter Hermann / Saeed Al Ghamdi
111 min. Drama / Historical
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: September 5, 2006
Copyright 2007.
JP0124 : 196
Primal Fear (1996)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / June 8, 2007
“Primal Fear” is a masterpiece. There are some things in life that you wish you could have amnesia and experience anew for the first time. For me, “Primal Fear” is one of those things.
Richard Gere plays a slick, talented, criminal defense attorney named Martin Vail. He isn’t interested in knowing whether his clients are innocent; he just wants to know if he can convince a jury that his clients are innocent.
But something bizarre happens: A well-respected Catholic Arch Bishop is murdered — brutally. An altar boy named Aaron Stampler (Edward Norton) is caught fleeing the crime covered in the victim’s blood. The case seems to be closed. But the ambitious lawyer takes the case and discovers that things aren’t as they seem.
Yes, “Primal Fear” is largely a courtroom drama, perhaps the best one I’ve seen. Edward Norton’s performance is spectacular; it earned him an Academy Award nomination. (He should have won.)
Though “Primal Fear” is edited, there are images and descriptions of a gory murder scene and brief, very mild discussions of sexual activity.
There are many good movies to rent. But if you want to watch a phenomenal flick tonight, “Primal Fear” is a sure bet.
Directed by Gregory Hoblit
Richard Gere / Edward Norton / Laura Linney
129 min. Thriller / Mystery
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: October 21, 1998
Copyright 2007.
JP0126 : 199
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / June 8, 2007
“Primal Fear” is a masterpiece. There are some things in life that you wish you could have amnesia and experience anew for the first time. For me, “Primal Fear” is one of those things.
Richard Gere plays a slick, talented, criminal defense attorney named Martin Vail. He isn’t interested in knowing whether his clients are innocent; he just wants to know if he can convince a jury that his clients are innocent.
But something bizarre happens: A well-respected Catholic Arch Bishop is murdered — brutally. An altar boy named Aaron Stampler (Edward Norton) is caught fleeing the crime covered in the victim’s blood. The case seems to be closed. But the ambitious lawyer takes the case and discovers that things aren’t as they seem.
Yes, “Primal Fear” is largely a courtroom drama, perhaps the best one I’ve seen. Edward Norton’s performance is spectacular; it earned him an Academy Award nomination. (He should have won.)
Though “Primal Fear” is edited, there are images and descriptions of a gory murder scene and brief, very mild discussions of sexual activity.
There are many good movies to rent. But if you want to watch a phenomenal flick tonight, “Primal Fear” is a sure bet.
Directed by Gregory Hoblit
Richard Gere / Edward Norton / Laura Linney
129 min. Thriller / Mystery
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: October 21, 1998
Copyright 2007.
JP0126 : 199
The Constant Gardener (2005)
O An excellent must-see
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / June 8, 2007
This movie should have been called “Constant Attention,” because that’s what it requires. “The Constant Gardener” is one of those hurry-up-and-wait mysteries complete with twists, turns, murders, betrayal, lies, etc. Basically, if you don’t keep up, you’re lost.
Justin Quayle (Ralph Fiennes) is a diplomat and a lover of gardening. (Yes, he sounds dreadfully dull.) But Fiennes portrays this character with such kindness and gentleness, that we latch on to him almost immediately.
Justin falls in love and marries Tessa (Rachel Weisz), a fireball of a crusader who is “all about causes.” The following is not a spoiler: Her secret life leads to her death. She was too deep into an investigation of a corporate drug company that uses “expendable Africans” as guinea pigs for its drug development.
After his wife’s murder, Justin begins to pick up her trail and tries to learn the secrets she was protecting him from. Naturally, Tessa’s killers find Justin to be a similar kind of irritant.
Although it is, at times, boring — and difficult to follow, “The Constant Gardener” has a moving moment when Justin starts to think (and even speak) the way his wife once did. Fiennes executes this moment perfectly.
Directed by Fernando Meirelles
Ralph Fiennes / Rachel Weisz / Hubert Kounde
129 min. Mystery / Drama
(Original MPAA rating: R)
Edited version age recommendation: 12 and up
DVD release date: January 10, 2006
Copyright 2007.
JP0122 : 198
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / June 8, 2007
This movie should have been called “Constant Attention,” because that’s what it requires. “The Constant Gardener” is one of those hurry-up-and-wait mysteries complete with twists, turns, murders, betrayal, lies, etc. Basically, if you don’t keep up, you’re lost.
Justin Quayle (Ralph Fiennes) is a diplomat and a lover of gardening. (Yes, he sounds dreadfully dull.) But Fiennes portrays this character with such kindness and gentleness, that we latch on to him almost immediately.
Justin falls in love and marries Tessa (Rachel Weisz), a fireball of a crusader who is “all about causes.” The following is not a spoiler: Her secret life leads to her death. She was too deep into an investigation of a corporate drug company that uses “expendable Africans” as guinea pigs for its drug development.
After his wife’s murder, Justin begins to pick up her trail and tries to learn the secrets she was protecting him from. Naturally, Tessa’s killers find Justin to be a similar kind of irritant.
Although it is, at times, boring — and difficult to follow, “The Constant Gardener” has a moving moment when Justin starts to think (and even speak) the way his wife once did. Fiennes executes this moment perfectly.
Directed by Fernando Meirelles
Ralph Fiennes / Rachel Weisz / Hubert Kounde
129 min. Mystery / Drama
(Original MPAA rating: R)
Edited version age recommendation: 12 and up
DVD release date: January 10, 2006
Copyright 2007.
JP0122 : 198
Apocalypto (2006)
Note: This edited version is still quite violent.
O An excellent must-see
O Good video rental
O Mediocre
X Rent something else
Review by Jason Pyles / May 29, 2007
As noted above, though edited, “Apocalypto” is still brutally violent. The warfare depicted is that of an ancient civilization, so we see wounds with knives, spears, hatchets, and even beheadings. Oh, and I shouldn’t forget horrific animal attacks.
“Apocalypto” is a well-executed action drama. Set among the ancient Mayan culture, this movie depicts one man’s harrowing journey to save his wife and children before it’s too late.
One morning Jaguar Paw’s (Rudy Youngblood) tribe is attacked by another malicious tribe. The murderous assailants slaughter most of the village, capturing the young men for an even more unpleasant purpose.
Amid the attack, Jaguar Paw hides his pregnant wife and his little boy in a deep hole. He must survive and escape his captors and rush back to rescue his family from said hole.
The movie looks great and seems to be authentic. All of the Mayan dialogue is subtitled.
Some movies simply shouldn’t be edited; “Apocalypto” is one of them. Its scantily clad male and female natives’ partial nudity is one indicator. But I can spot the “shouldn’t be edited” movies pretty easily: When my wife leaves the room in disgust, I know I’ve found another one. Rent something else.
Directed by Mel Gibson
Rudy Youngblood / Morris Birdyellowhead / Raoul Trujillo
139 min. Action / Drama
(Original MPAA rating: R)
Edited version age recommendation: 18 and up
DVD release date: May 22, 2007
Copyright 2007.
JP0116 : 199
Epic Movie (2006)
O An excellent must-see
O Good video rental
O Mediocre
X Rent ANYTHING else
Review by Jason Pyles / May 29, 2007
There are dumb movies, then there are “the intelligence of an amoeba” movies. “Epic Movie” is the latter. You’d be hard pressed to find something half as idiotic on YouTube — and that site has people setting themselves on fire.
Basically, “Epic Movie” is like the “Scary Movie” series (but not funny). It incoherently ties together and spoofs the characters and plot points from many of the 2005 and 2006, big-budget, blockbuster movies, such as “The Da Vinci Code,” “Superman Returns,” “Nacho Libre” and so forth.
The story primarily follows “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.” Four orphans embark on misadventures when they venture into a mysterious wardrobe. Honestly, there’s no point in describing it any further.
So, if you really like really silly humor and the epic Hollywood blockbusters, you might be able to enjoy “Epic Movie.”
But seriously I doubt it.
Directed by Jason Friedberg and Aaron Seltzer
Kal Penn / Adam Campbell / Jayma Mays / Faune Chambers
86 min. Comedy
(Original MPAA rating: PG-13)
Edited version age recommendation: 12 and up
DVD release date: May 22, 2007
Copyright 2007.
JP0117 : 146
O Good video rental
O Mediocre
X Rent ANYTHING else
Review by Jason Pyles / May 29, 2007
There are dumb movies, then there are “the intelligence of an amoeba” movies. “Epic Movie” is the latter. You’d be hard pressed to find something half as idiotic on YouTube — and that site has people setting themselves on fire.
Basically, “Epic Movie” is like the “Scary Movie” series (but not funny). It incoherently ties together and spoofs the characters and plot points from many of the 2005 and 2006, big-budget, blockbuster movies, such as “The Da Vinci Code,” “Superman Returns,” “Nacho Libre” and so forth.
The story primarily follows “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.” Four orphans embark on misadventures when they venture into a mysterious wardrobe. Honestly, there’s no point in describing it any further.
So, if you really like really silly humor and the epic Hollywood blockbusters, you might be able to enjoy “Epic Movie.”
But seriously I doubt it.
Directed by Jason Friedberg and Aaron Seltzer
Kal Penn / Adam Campbell / Jayma Mays / Faune Chambers
86 min. Comedy
(Original MPAA rating: PG-13)
Edited version age recommendation: 12 and up
DVD release date: May 22, 2007
Copyright 2007.
JP0117 : 146
Letters From Iwo Jima (2006)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 29, 2007
The masterstroke of “Letters From Iwo Jima” is its ability to depict both warring nations, the United States and Japan, with humanity. Lesser movies just show us “the enemy.”
“Letters” is a companion movie to Clint Eastwood’s “Flags of Our Fathers” (2006). The former shows the battle at Iwo Jima primarily from the Japanese perspective, while the latter shows the battle from the American point of view. But “Flags” goes amiss as it strays from the island into the controversy of a famous photograph.
“Letters” is the better movie. The dialogue is almost entirely in Japanese, so be prepared to read some fast subtitles. We follow the perils of a few Japanese men and learn of their inner thoughts and struggles through hearing a narration of their letters home.
With interest and concern, we follow these men and see what happens to them. This is a bizarre movie in that it tends to make us root for the Japanese, rather than the Americans. More accurately, we don’t want either side to be killed.
In addition to being a good war movie, “Letters” is a good drama that depicts credible characters. It’s fascinating to compare and contrast the two cultures.
Directed by Clint Eastwood
Ken Watanabe / Kazunari Ninomiya / Tsuyoshi Ihara
141 min. War / Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: May 22, 2007
Copyright 2007.
JP0118 : 199
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 29, 2007
The masterstroke of “Letters From Iwo Jima” is its ability to depict both warring nations, the United States and Japan, with humanity. Lesser movies just show us “the enemy.”
“Letters” is a companion movie to Clint Eastwood’s “Flags of Our Fathers” (2006). The former shows the battle at Iwo Jima primarily from the Japanese perspective, while the latter shows the battle from the American point of view. But “Flags” goes amiss as it strays from the island into the controversy of a famous photograph.
“Letters” is the better movie. The dialogue is almost entirely in Japanese, so be prepared to read some fast subtitles. We follow the perils of a few Japanese men and learn of their inner thoughts and struggles through hearing a narration of their letters home.
With interest and concern, we follow these men and see what happens to them. This is a bizarre movie in that it tends to make us root for the Japanese, rather than the Americans. More accurately, we don’t want either side to be killed.
In addition to being a good war movie, “Letters” is a good drama that depicts credible characters. It’s fascinating to compare and contrast the two cultures.
Directed by Clint Eastwood
Ken Watanabe / Kazunari Ninomiya / Tsuyoshi Ihara
141 min. War / Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: May 22, 2007
Copyright 2007.
JP0118 : 199
Sling Blade (1996)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 29, 2007
From its title, everyone always assumes that “Sling Blade” is some kind of slasher, horror movie. It’s not. “Sling Blade” is a masterpiece and among my top three, all-time favorite films.
Billy Bob Thornton wrote, directed and starred in this drama about friendship. Thornton plays Karl Childers, a simple man who has some kind of mental imperfection that provokes unkind people to call him “slow” or “retarded.”
At the age of 12, Karl killed two people. Since that time, he has been locked away for years in a state hospital for those who have mental problems. “Sling Blade” begins on the day of his release back into society. Karl is sent to the tiny town of Millsburg, where he grew up, somewhere in the south.
Karl gets a job and becomes fast friends with a boy named Frank (Lucas Black). This drama is about their friendship and those they associate with in the town.
“Sling Blade” is predictable, but its story is so well told that we don’t mind. This edited version has violence that is either verbally described or is implied, not depicted. Even so, “Sling Blade” is not for children but for anyone who loves great movies.
Directed by Billy Bob Thornton
Billy Bob Thornton / Lucas Black / Dwight Yoakam
135 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: (Director’s Cut) June 7, 2005
Copyright 2007.
JP0115 : 199
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 29, 2007
From its title, everyone always assumes that “Sling Blade” is some kind of slasher, horror movie. It’s not. “Sling Blade” is a masterpiece and among my top three, all-time favorite films.
Billy Bob Thornton wrote, directed and starred in this drama about friendship. Thornton plays Karl Childers, a simple man who has some kind of mental imperfection that provokes unkind people to call him “slow” or “retarded.”
At the age of 12, Karl killed two people. Since that time, he has been locked away for years in a state hospital for those who have mental problems. “Sling Blade” begins on the day of his release back into society. Karl is sent to the tiny town of Millsburg, where he grew up, somewhere in the south.
Karl gets a job and becomes fast friends with a boy named Frank (Lucas Black). This drama is about their friendship and those they associate with in the town.
“Sling Blade” is predictable, but its story is so well told that we don’t mind. This edited version has violence that is either verbally described or is implied, not depicted. Even so, “Sling Blade” is not for children but for anyone who loves great movies.
Directed by Billy Bob Thornton
Billy Bob Thornton / Lucas Black / Dwight Yoakam
135 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: (Director’s Cut) June 7, 2005
Copyright 2007.
JP0115 : 199
O (2001)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 29, 2007
“O” is a surprisingly intriguing modern spin on Shakespeare’s “Othello.” As is characteristic with Shakespeare’s works, this is a story full of intrigue and despicable characters.
Hugo (Josh Hartnett) is a talented basketball player (and the coach’s son). But that hasn’t won him any favoritism. The coach’s favorite is an even more talented African American player named Odin (Mekhi Phifer).
Hugo’s jealousy and secret contempt for Odin leads him to weave a web of wickedness so vile, that we wonder how he can possibly face himself in the mirror. His treachery is so reprehensible that we cannot look away because we must see what incredulous scheme he’ll implement next.
Basically, Hugo wishes to remove his obstacle, the school’s star player and O’s girlfriend, Desi (Julia Stiles), so he can receive the limelight that he feels he rightfully deserves.
“O” is mostly filled with lies and deceit, though it does have a few violent scenes that are necessary to the plot. What I love about this “sleeper” is its dialed-down, quiet nature. It’s not flashy like some summertime blockbuster, but it’s simple and confident in its story.
I wish we had Shakespeare here to write plays for the silver screen.
Directed by Tim Blake Nelson
Josh Hartnett / Mekhi Phifer / Julia Stiles
95 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: February 19, 2002
Copyright 2007.
JP0121 : 199
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 29, 2007
“O” is a surprisingly intriguing modern spin on Shakespeare’s “Othello.” As is characteristic with Shakespeare’s works, this is a story full of intrigue and despicable characters.
Hugo (Josh Hartnett) is a talented basketball player (and the coach’s son). But that hasn’t won him any favoritism. The coach’s favorite is an even more talented African American player named Odin (Mekhi Phifer).
Hugo’s jealousy and secret contempt for Odin leads him to weave a web of wickedness so vile, that we wonder how he can possibly face himself in the mirror. His treachery is so reprehensible that we cannot look away because we must see what incredulous scheme he’ll implement next.
Basically, Hugo wishes to remove his obstacle, the school’s star player and O’s girlfriend, Desi (Julia Stiles), so he can receive the limelight that he feels he rightfully deserves.
“O” is mostly filled with lies and deceit, though it does have a few violent scenes that are necessary to the plot. What I love about this “sleeper” is its dialed-down, quiet nature. It’s not flashy like some summertime blockbuster, but it’s simple and confident in its story.
I wish we had Shakespeare here to write plays for the silver screen.
Directed by Tim Blake Nelson
Josh Hartnett / Mekhi Phifer / Julia Stiles
95 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: February 19, 2002
Copyright 2007.
JP0121 : 199
Lord of the Flies (1990)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 29, 2007
Based on the novel by William Golding, “Lord of the Flies” has become a modern classic, particularly for junior high readers.
Some criticize this slightly modernized adaptation, but it still makes the same scary statements about human beings and still contains its small glimmer of hope.
A group of boys, between nine to 12 years old, are cadets in a military boys’ school. While traveling from overseas, their plane crashes into the ocean. The survivors manage to swim to a small, deserted island somewhere “in the tropics.” There are no functional adults present to supervise the castaways, so they establish their own society.
But the movie takes a dark turn as it observes the boys’ rapid descent into lawlessness and savagery. Not all of the boys succumb to animalistic tendencies, however.
The movie’s tagline summarizes it best: “No parents. No teachers. No rules … No mercy.”
This edited version is still somewhat violent and disturbing. But perhaps because of my own upbringing with this story, I would still recommend it for junior high viewers.
“Lord of the Flies” is most upsetting because we can easily see the truth of its painful commentary about human nature.
Directed by Harry Hook
Balthazar Getty / Chris Furrh / Danuel Pipoly
90 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 10 and up
DVD release date: November 20, 2001
Copyright 2007.
JP0120 : 195
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 29, 2007
Based on the novel by William Golding, “Lord of the Flies” has become a modern classic, particularly for junior high readers.
Some criticize this slightly modernized adaptation, but it still makes the same scary statements about human beings and still contains its small glimmer of hope.
A group of boys, between nine to 12 years old, are cadets in a military boys’ school. While traveling from overseas, their plane crashes into the ocean. The survivors manage to swim to a small, deserted island somewhere “in the tropics.” There are no functional adults present to supervise the castaways, so they establish their own society.
But the movie takes a dark turn as it observes the boys’ rapid descent into lawlessness and savagery. Not all of the boys succumb to animalistic tendencies, however.
The movie’s tagline summarizes it best: “No parents. No teachers. No rules … No mercy.”
This edited version is still somewhat violent and disturbing. But perhaps because of my own upbringing with this story, I would still recommend it for junior high viewers.
“Lord of the Flies” is most upsetting because we can easily see the truth of its painful commentary about human nature.
Directed by Harry Hook
Balthazar Getty / Chris Furrh / Danuel Pipoly
90 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 10 and up
DVD release date: November 20, 2001
Copyright 2007.
JP0120 : 195
Pan's Labyrinth (2006)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 15, 2007
Please note that “Pan’s Labyrinth” is not a children’s movie; it has been called “a fairy tale for adults.” In any case, “Pan’s Labyrinth” is a remarkable film.
You should also know that “Pan’s Labyrinth” is filmed in Spanish with English subtitles. (Some people have an aversion to foreign films for this reason.) And even though it’s edited, this movie is still fairly violent, including shootings, beatings, stabbings and mild violence toward a child.
Set in war-torn Spain, 1944, “Pan’s Labyrinth” tells the story of Ofelia (Ivana Baquero), an 11-year-old girl whose widowed mother recently married a ruthless military captain.
Ofelia lives in two worlds: the unhappy misery of her new home amid warring soldiers, and she’s somehow drawn into a magical, fairy-tale-like realm. A creepy fawn tells Ofelia that she is actually the princess of an underworld king (not Satan), but she must complete three quests before the next full moon to regain her throne.
“Pan’s Labyrinth” shows us how the young girl struggles to negotiate both of her dangerous worlds. The truly fascinating element of the movie is determining whether Ofelia’s fairy tale world actually exists or is merely a traumatized little girl’s imaginary coping mechanism.
Directed by Guillermo del Toro
Ivana Baquero / Sergi Lopez / Maribel Verdu
112 min. Drama / Fantasy
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: May 15, 2007
Copyright 2007.
JP0112 : 198
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 15, 2007
Please note that “Pan’s Labyrinth” is not a children’s movie; it has been called “a fairy tale for adults.” In any case, “Pan’s Labyrinth” is a remarkable film.
You should also know that “Pan’s Labyrinth” is filmed in Spanish with English subtitles. (Some people have an aversion to foreign films for this reason.) And even though it’s edited, this movie is still fairly violent, including shootings, beatings, stabbings and mild violence toward a child.
Set in war-torn Spain, 1944, “Pan’s Labyrinth” tells the story of Ofelia (Ivana Baquero), an 11-year-old girl whose widowed mother recently married a ruthless military captain.
Ofelia lives in two worlds: the unhappy misery of her new home amid warring soldiers, and she’s somehow drawn into a magical, fairy-tale-like realm. A creepy fawn tells Ofelia that she is actually the princess of an underworld king (not Satan), but she must complete three quests before the next full moon to regain her throne.
“Pan’s Labyrinth” shows us how the young girl struggles to negotiate both of her dangerous worlds. The truly fascinating element of the movie is determining whether Ofelia’s fairy tale world actually exists or is merely a traumatized little girl’s imaginary coping mechanism.
Directed by Guillermo del Toro
Ivana Baquero / Sergi Lopez / Maribel Verdu
112 min. Drama / Fantasy
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: May 15, 2007
Copyright 2007.
JP0112 : 198
Stomp the Yard (2007)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 15, 2007
“Stomp the Yard” tells the same story as “The Karate Kid” movies but with dancing.
DJ Williams (Columbus Short) is sent from his mother in L.A. to live with his aunt and uncle in Atlanta, so he can attend Truth University. DJ is a dancer. But this isn’t your typical type of dancing, it’s a blend of hip hop, gymnastics, and at times, it appears to contradict the laws of physics. Surely such dancers risk paralysis. The movie’s dancing alone is sufficiently entertaining.
But DJ must adjust from L.A.’s street-dancing scene to the fraternities’ “step dancing,” a stomp-oriented version of cheerleading for men. DJ also must endure being the misfit new guy while trying to date the enemy frat’s star pupil’s girlfriend. And, of course, the movie has a big dance competition finale.
This edited version has some mild violence and a couple of brief scenes of scantily clad females dancing sensuously.
But what makes “Stomp the Yard” good is its positive portrayal of black youth: While many movies unfairly depict African Americans grimly, this movie shows them pursuing education and making good decisions. Even the vilified frat recites the Lord’s Prayer before the final competition.
Directed by Sylvain White
Columbus Short / Darrin Henson / Brian J. White
115 min. Drama
(Original MPAA rating: PG-13)
Edited version age recommendation: 14 and up
DVD release date: May 15, 2007
Copyright 2007.
JP0113 : 196
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 15, 2007
“Stomp the Yard” tells the same story as “The Karate Kid” movies but with dancing.
DJ Williams (Columbus Short) is sent from his mother in L.A. to live with his aunt and uncle in Atlanta, so he can attend Truth University. DJ is a dancer. But this isn’t your typical type of dancing, it’s a blend of hip hop, gymnastics, and at times, it appears to contradict the laws of physics. Surely such dancers risk paralysis. The movie’s dancing alone is sufficiently entertaining.
But DJ must adjust from L.A.’s street-dancing scene to the fraternities’ “step dancing,” a stomp-oriented version of cheerleading for men. DJ also must endure being the misfit new guy while trying to date the enemy frat’s star pupil’s girlfriend. And, of course, the movie has a big dance competition finale.
This edited version has some mild violence and a couple of brief scenes of scantily clad females dancing sensuously.
But what makes “Stomp the Yard” good is its positive portrayal of black youth: While many movies unfairly depict African Americans grimly, this movie shows them pursuing education and making good decisions. Even the vilified frat recites the Lord’s Prayer before the final competition.
Directed by Sylvain White
Columbus Short / Darrin Henson / Brian J. White
115 min. Drama
(Original MPAA rating: PG-13)
Edited version age recommendation: 14 and up
DVD release date: May 15, 2007
Copyright 2007.
JP0113 : 196
Because I Said So (2007)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 8, 2007
“Because I Said So” is vibrant and delightful. It possesses all of the elements for a successful romantic comedy, such as weddings, misunderstandings, endearing foibles and so forth. If that’s your genre, then I highly recommend this movie.
Daphne (Diane Keaton) is the meddling, controlling, busybody mother of three daughters. Daphne’s marriage didn’t work out favorably. Consequently, she has spent years obsessing over her daughters’ lives, trying to ensure that they don’t make the same mistakes she made — especially when it comes to love.
Two of the daughters, Maggie (Lauren Graham, “Gilmore Girls”) and Mae (Piper Perabo), have successfully found their mates. But one daughter, Milly (Mandy Moore), has had considerable difficulty.
To help Milly along, Daphne places a dating ad for her daughter. Daphne plans to hold prescreening interviews with each applicant. This process yields two contenders.
“Because I Said So” is cute and colorful. Its charm is a result of having multiple love stories within the same movie. There’s even a singing opportunity for Mandy Moore, naturally.
Diane Keaton’s character wears thin, but she’s supposed to be annoying. Even so, I felt so fortunate to have such a great mother-in-law. Movies like this reinforce my gratitude.
Directed by Michael Lehmann
Diane Keaton / Mandy Moore / Gabriel Macht
102 min. Romance / Comedy
(Original MPAA rating: PG-13)
Edited version age recommendation: 10 and up
DVD release date: May 8, 2007
Copyright 2007.
JP0109 : 198
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 8, 2007
“Because I Said So” is vibrant and delightful. It possesses all of the elements for a successful romantic comedy, such as weddings, misunderstandings, endearing foibles and so forth. If that’s your genre, then I highly recommend this movie.
Daphne (Diane Keaton) is the meddling, controlling, busybody mother of three daughters. Daphne’s marriage didn’t work out favorably. Consequently, she has spent years obsessing over her daughters’ lives, trying to ensure that they don’t make the same mistakes she made — especially when it comes to love.
Two of the daughters, Maggie (Lauren Graham, “Gilmore Girls”) and Mae (Piper Perabo), have successfully found their mates. But one daughter, Milly (Mandy Moore), has had considerable difficulty.
To help Milly along, Daphne places a dating ad for her daughter. Daphne plans to hold prescreening interviews with each applicant. This process yields two contenders.
“Because I Said So” is cute and colorful. Its charm is a result of having multiple love stories within the same movie. There’s even a singing opportunity for Mandy Moore, naturally.
Diane Keaton’s character wears thin, but she’s supposed to be annoying. Even so, I felt so fortunate to have such a great mother-in-law. Movies like this reinforce my gratitude.
Directed by Michael Lehmann
Diane Keaton / Mandy Moore / Gabriel Macht
102 min. Romance / Comedy
(Original MPAA rating: PG-13)
Edited version age recommendation: 10 and up
DVD release date: May 8, 2007
Copyright 2007.
JP0109 : 198
The Painted Veil (2006)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 8, 2007
“The Painted Veil” is a drama that has a hint of romance and the passing suggestion of a thriller. Though it begins with a lot of stamina, “The Painted Veil” tends to drag here and there. Nevertheless, this movie is still worth seeing if you enjoy good dramas.
“The Painted Veil” begins at point H, flashes back and catches us up from point A to point G, then continues on to point Z. This technique is wonderfully effective at drawing us into the story.
The year is 1923. Kitty (Naomi Watts) is rich, miserable and unmarried. Her older sister married well, and Kitty’s nagging mother is pressuring her to also “leave the nest.” A timid bacteriologist, Dr. Fane (Ed Norton), comes courting and proposes to Kitty. She doesn’t love him, but Kitty accepts so she can escape her mother.
When Fane later finds that his discontent wife is having an affair, he volunteers to treat a cholera epidemic in a small town in rural China. He, more or less, forces her to accompany him to the dangerous, diseased wilderness.
That’s the storyline, but that’s not what the movie is about. The most important developments in this film are subtle.
Directed by John Curran
Naomi Watts / Edward Norton / Liev Schreiber
125 min. Drama / Romance
(Original MPAA rating: PG-13)
Edited version age recommendation: 14 and up
DVD release date: May 8, 2007
Copyright 2007.
JP0110 : 199
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 8, 2007
“The Painted Veil” is a drama that has a hint of romance and the passing suggestion of a thriller. Though it begins with a lot of stamina, “The Painted Veil” tends to drag here and there. Nevertheless, this movie is still worth seeing if you enjoy good dramas.
“The Painted Veil” begins at point H, flashes back and catches us up from point A to point G, then continues on to point Z. This technique is wonderfully effective at drawing us into the story.
The year is 1923. Kitty (Naomi Watts) is rich, miserable and unmarried. Her older sister married well, and Kitty’s nagging mother is pressuring her to also “leave the nest.” A timid bacteriologist, Dr. Fane (Ed Norton), comes courting and proposes to Kitty. She doesn’t love him, but Kitty accepts so she can escape her mother.
When Fane later finds that his discontent wife is having an affair, he volunteers to treat a cholera epidemic in a small town in rural China. He, more or less, forces her to accompany him to the dangerous, diseased wilderness.
That’s the storyline, but that’s not what the movie is about. The most important developments in this film are subtle.
Directed by John Curran
Naomi Watts / Edward Norton / Liev Schreiber
125 min. Drama / Romance
(Original MPAA rating: PG-13)
Edited version age recommendation: 14 and up
DVD release date: May 8, 2007
Copyright 2007.
JP0110 : 199
Music and Lyrics (2007)
O An excellent must-see
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / May 8, 2007
“Music and Lyrics” has potential, but Drew Barrymore assassinates it with her portrayal of a ditzy, innocent, little girl persona that’s prevalent in her latest roles.
Alex Fletcher (Hugh Grant) was a pop icon during the ‘80s. His group, Pop!, had a hit song called “Pop Goes My Heart.” We get to see the music video. It’s scarily accurate in every way and quite funny. In present day, however, Fletcher is a has-been who struggles to even get gigs at state fairs and amusement parks.
Luckily, the current pop diva, Cora Corman, commissions Fletcher to write a duet for them to sing at an upcoming concert. And, she offers to include it on her new album. The problem is, Fletcher is a composer, not a lyricist. But when he meets Sophie Fisher (Drew Barrymore), he learns that she has a gift for writing.
The movie has funny parts, but 98 percent of them are thanks to Hugh Grant’s keen delivery. The love story between the collaborators is more annoying than cute. And the pop diva (who’s obviously based on Britney Spears or Christina Aguilera) wears costumes and performs dance moves that easily keep this edited version’s rating at PG-13.
Directed by Marc Lawrence
Hugh Grant / Drew Barrymore / Brad Garrett
96 min. Comedy / Romance
(Original MPAA rating: PG-13)
Edited version age recommendation: 17 and up
DVD release date: May 8, 2007
Copyright 2007.
JP0107 : 199
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / May 8, 2007
“Music and Lyrics” has potential, but Drew Barrymore assassinates it with her portrayal of a ditzy, innocent, little girl persona that’s prevalent in her latest roles.
Alex Fletcher (Hugh Grant) was a pop icon during the ‘80s. His group, Pop!, had a hit song called “Pop Goes My Heart.” We get to see the music video. It’s scarily accurate in every way and quite funny. In present day, however, Fletcher is a has-been who struggles to even get gigs at state fairs and amusement parks.
Luckily, the current pop diva, Cora Corman, commissions Fletcher to write a duet for them to sing at an upcoming concert. And, she offers to include it on her new album. The problem is, Fletcher is a composer, not a lyricist. But when he meets Sophie Fisher (Drew Barrymore), he learns that she has a gift for writing.
The movie has funny parts, but 98 percent of them are thanks to Hugh Grant’s keen delivery. The love story between the collaborators is more annoying than cute. And the pop diva (who’s obviously based on Britney Spears or Christina Aguilera) wears costumes and performs dance moves that easily keep this edited version’s rating at PG-13.
Directed by Marc Lawrence
Hugh Grant / Drew Barrymore / Brad Garrett
96 min. Comedy / Romance
(Original MPAA rating: PG-13)
Edited version age recommendation: 17 and up
DVD release date: May 8, 2007
Copyright 2007.
JP0107 : 199
Catch and Release (2006)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 8, 2007
Many love stories highlight the problems of an old relationship while investigating the difficulties of a new one. But “Catch and Release” does this in a fascinating way: The man of the old relationship is deceased; and the man of the new relationship is the deceased’s best friend.
Gray Wheeler (Jennifer Garner) was about to be married when her fiancé died on a fishing trip. Again, this happened right before their wedding. But it’s not the new love story that makes this romantic comedy so interesting, it is the old one. (That’s not to say that we don’t cheer for the new guy, however.)
Gray begins to discover that she didn’t know her fiancé very well at all. In the days following his death, she stumbles upon some startling revelations. This is the primary appeal of “Catch and Release”: waiting to see what she’ll discover next.
Most of the humor comes from the dead guy’s pals, particularly Sam (Kevin Smith). I recommend “Catch and Release.” It still follows the romantic comedy formula, but it does it with originality.
Directed by Susannah Grant
Jennifer Garner / Timothy Olyphant / Kevin Smith
124 min. Romance / Comedy
(Original MPAA rating: PG-13)
Edited version age recommendation: 10 and up
DVD release date: May 8, 2007
Copyright 2007.
JP0106 : 178
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 8, 2007
Many love stories highlight the problems of an old relationship while investigating the difficulties of a new one. But “Catch and Release” does this in a fascinating way: The man of the old relationship is deceased; and the man of the new relationship is the deceased’s best friend.
Gray Wheeler (Jennifer Garner) was about to be married when her fiancé died on a fishing trip. Again, this happened right before their wedding. But it’s not the new love story that makes this romantic comedy so interesting, it is the old one. (That’s not to say that we don’t cheer for the new guy, however.)
Gray begins to discover that she didn’t know her fiancé very well at all. In the days following his death, she stumbles upon some startling revelations. This is the primary appeal of “Catch and Release”: waiting to see what she’ll discover next.
Most of the humor comes from the dead guy’s pals, particularly Sam (Kevin Smith). I recommend “Catch and Release.” It still follows the romantic comedy formula, but it does it with originality.
Directed by Susannah Grant
Jennifer Garner / Timothy Olyphant / Kevin Smith
124 min. Romance / Comedy
(Original MPAA rating: PG-13)
Edited version age recommendation: 10 and up
DVD release date: May 8, 2007
Copyright 2007.
JP0106 : 178
Little Children (2006)
X An excellent must-see
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 1, 2007
“Little Children” is about people who live lives of desperation. Some are selfish. Some feel helpless. All are unhappy.
A 48-year-old, convicted sex offender named Ronnie McGorvey (Jackie Earle Haley) has just moved into small town with his elderly mother. She encourages him to place dating ads in the newspaper. A woman in his life might help him fight his “urges.”
The community of parents is uneasy about Ronnie’s presence, especially a retired cop named Larry (Noah Emmerich) who feels it’s his personal mission to continually remind Ronnie (and the neighborhood) that Ronnie is a child predator. But Ronnie is just a side plot.
“Little Children” shows how to fall into an extra-marital affair. Or, it shows how and why not to commit adultery. Sarah (Kate Winslet) and Brad (Patrick Wilson) meet in a park with their children and begin a romantic relationship after rendezvousing at the public pool with their kids on a daily basis. Both are unhappily married.
A fascinating element to “Little Children” is how few of the main characters are innocent: the children and perhaps Ronnie’s mother. An occasional, omniscient narrator (Will Lyman) gives us special insights.
“Little Children” is an uncommonly excellent, involving drama.
Directed by Todd Field
Kate Winslet / Patrick Wilson / Jackie Earle Haley
130 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: May 1, 2007
Copyright 2007.
JP00103 : 199
O Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 1, 2007
“Little Children” is about people who live lives of desperation. Some are selfish. Some feel helpless. All are unhappy.
A 48-year-old, convicted sex offender named Ronnie McGorvey (Jackie Earle Haley) has just moved into small town with his elderly mother. She encourages him to place dating ads in the newspaper. A woman in his life might help him fight his “urges.”
The community of parents is uneasy about Ronnie’s presence, especially a retired cop named Larry (Noah Emmerich) who feels it’s his personal mission to continually remind Ronnie (and the neighborhood) that Ronnie is a child predator. But Ronnie is just a side plot.
“Little Children” shows how to fall into an extra-marital affair. Or, it shows how and why not to commit adultery. Sarah (Kate Winslet) and Brad (Patrick Wilson) meet in a park with their children and begin a romantic relationship after rendezvousing at the public pool with their kids on a daily basis. Both are unhappily married.
A fascinating element to “Little Children” is how few of the main characters are innocent: the children and perhaps Ronnie’s mother. An occasional, omniscient narrator (Will Lyman) gives us special insights.
“Little Children” is an uncommonly excellent, involving drama.
Directed by Todd Field
Kate Winslet / Patrick Wilson / Jackie Earle Haley
130 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: May 1, 2007
Copyright 2007.
JP00103 : 199
Who the #$&% is Jackson Pollock (2006)
O An excellent must-see
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 1, 2007
“Who the #$&% is Jackson Pollock?” is a documentary. But it’s just as much a mystery. This movie is filled with unlikely characters and even unlikelier circumstances, insomuch that it could not possibly be fictitious; it has to be true to be this bizarre.
Teri Horton is an older lady who is a truck driver. (Think “Large Marge” from “Pee-wee’s Big Adventure” (1985), but not large.) One day Teri wanted to cheer up her friend, so she bought a big painting from a thrift store for five bucks. At a garage sale, a local art teacher told her that the artwork looked like a Jackson Pollock painting. The film’s title came from Teri’s reaction, “except she didn’t say ‘fudge.’”
It turns out that Jackson Pollock is considered by many to be one of the greatest artists of the 20th century. And consequently, her five-dollar painting may be worth more than $50 million. This documentary follows Teri’s battle with “the art world” to try to prove this painting’s authenticity.
“Who the #$&% is Jackson Pollock?” is worth renting strictly to watch interviews with Thomas Hoving, art expert, and John Myatt, art impersonator. I recommend this to documentary fans.
Directed by Harry Moses
Teri Horton / Thomas Hoving / John Myatt
74 min. Documentary
(Original MPAA rating: PG-13)
Edited version age recommendation: 8 and up
DVD release date: May 1, 2007
Copyright 2007.
JP0099 : 197
X Good video rental
O Mediocre
O Rent something else
Review by Jason Pyles / May 1, 2007
“Who the #$&% is Jackson Pollock?” is a documentary. But it’s just as much a mystery. This movie is filled with unlikely characters and even unlikelier circumstances, insomuch that it could not possibly be fictitious; it has to be true to be this bizarre.
Teri Horton is an older lady who is a truck driver. (Think “Large Marge” from “Pee-wee’s Big Adventure” (1985), but not large.) One day Teri wanted to cheer up her friend, so she bought a big painting from a thrift store for five bucks. At a garage sale, a local art teacher told her that the artwork looked like a Jackson Pollock painting. The film’s title came from Teri’s reaction, “except she didn’t say ‘fudge.’”
It turns out that Jackson Pollock is considered by many to be one of the greatest artists of the 20th century. And consequently, her five-dollar painting may be worth more than $50 million. This documentary follows Teri’s battle with “the art world” to try to prove this painting’s authenticity.
“Who the #$&% is Jackson Pollock?” is worth renting strictly to watch interviews with Thomas Hoving, art expert, and John Myatt, art impersonator. I recommend this to documentary fans.
Directed by Harry Moses
Teri Horton / Thomas Hoving / John Myatt
74 min. Documentary
(Original MPAA rating: PG-13)
Edited version age recommendation: 8 and up
DVD release date: May 1, 2007
Copyright 2007.
JP0099 : 197
Dreamgirls (2006)
O An excellent must-see
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / May 1, 2007
“Dreamgirls” is a musical (and a drama) that is based on a group of black, R&B entertainers during the 1960s and 1970s.
To be fair, I’m not fond of musicals or R&B, particularly when female vocalists (so-called “divas”) are given free reign to bellow on and on, continually traversing musical scales with increasing volume. (We often hear such embellishments of our national anthem.) But if you enjoy musicals and deafening divas, “Dreamgirls” is probably for you.
Beyonce Knowles, Jennifer Hudson and Anika Noni Rose play a trio who is trying to break into show business. They get their first gigs as the back-up singers for Jimmy “Thunder” Early (Eddie Murphy). Murphy plays his typical Eddie Murphy part — minus the humor. (So, basically, he plays Chris Tucker.)
We see all of these performers struggle to cross over to the pop music scene, as well as the typical pitfalls associated with stardom and the music business.
The movie’s greatest strength is the discreet emergence of its true villain. The costumes are impressive, as well.
This edited version of “Dreamgirls” has mild, brief scenes of sensuality and drug use. I cannot recommend it; but if you do watch “Dreamgirls,” I recommend Tylenol.
Directed by Bill Condon
Eddie Murphy / Jamie Foxx / Beyonce Knowles
131 min. Drama / Musical
(Original MPAA rating: PG-13)
Edited version age recommendation: 14 and up
DVD release date: May 1, 2007
Copyright 2007.
JP00102 : 199
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / May 1, 2007
“Dreamgirls” is a musical (and a drama) that is based on a group of black, R&B entertainers during the 1960s and 1970s.
To be fair, I’m not fond of musicals or R&B, particularly when female vocalists (so-called “divas”) are given free reign to bellow on and on, continually traversing musical scales with increasing volume. (We often hear such embellishments of our national anthem.) But if you enjoy musicals and deafening divas, “Dreamgirls” is probably for you.
Beyonce Knowles, Jennifer Hudson and Anika Noni Rose play a trio who is trying to break into show business. They get their first gigs as the back-up singers for Jimmy “Thunder” Early (Eddie Murphy). Murphy plays his typical Eddie Murphy part — minus the humor. (So, basically, he plays Chris Tucker.)
We see all of these performers struggle to cross over to the pop music scene, as well as the typical pitfalls associated with stardom and the music business.
The movie’s greatest strength is the discreet emergence of its true villain. The costumes are impressive, as well.
This edited version of “Dreamgirls” has mild, brief scenes of sensuality and drug use. I cannot recommend it; but if you do watch “Dreamgirls,” I recommend Tylenol.
Directed by Bill Condon
Eddie Murphy / Jamie Foxx / Beyonce Knowles
131 min. Drama / Musical
(Original MPAA rating: PG-13)
Edited version age recommendation: 14 and up
DVD release date: May 1, 2007
Copyright 2007.
JP00102 : 199
The Science of Sleep (2006)
O An excellent must-see
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / May 3, 2007
Many people, if not most, would probably hate “The Science of Sleep,” dismissing it as weird, abstract and bizarre. This artsy movie is indeed whimsical and wacky, but that’s because it has more to do with dreams than science.
As near as I can tell, “The Science of Sleep” is about a delusional young artist named Stephane (Gael Garcia Bernal) who has trouble separating his dream states from reality. He falls in love with his next-door neighbor, Stephanie (Charlotte Gainsbourg). His friendship and aspiring romance with her is endearing, heartwarming and creepy — all at the same time.
We see daily dreamscapes and the real-world wrestles of Stephane, including the job he despises and his love for Stephanie. And like all love stories, we think the two should be together, but they can’t communicate well enough to make that happen.
I liked this film, but it’s definitely an acquired taste. It features three languages: English, French, and some Spanish, and is subtitled accordingly.
“The Science of Sleep” leaves you with the same kind of aftertaste as “Eternal Sunshine of the Spotless Mind” (2004). It’s a movie that’s like eggnog: sweet, unusual and a little bit goes a long way.
Directed by Michel Gondry
Gael Garcia Bernal / Charlotte Gainsbourg / Alain Chabat
105 min. Fantasy / Drama
(Original MPAA rating: R)
Edited version age recommendation: 9 and up
DVD release date: February 6, 2007
Copyright 2007.
JP0097 : 198
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / May 3, 2007
Many people, if not most, would probably hate “The Science of Sleep,” dismissing it as weird, abstract and bizarre. This artsy movie is indeed whimsical and wacky, but that’s because it has more to do with dreams than science.
As near as I can tell, “The Science of Sleep” is about a delusional young artist named Stephane (Gael Garcia Bernal) who has trouble separating his dream states from reality. He falls in love with his next-door neighbor, Stephanie (Charlotte Gainsbourg). His friendship and aspiring romance with her is endearing, heartwarming and creepy — all at the same time.
We see daily dreamscapes and the real-world wrestles of Stephane, including the job he despises and his love for Stephanie. And like all love stories, we think the two should be together, but they can’t communicate well enough to make that happen.
I liked this film, but it’s definitely an acquired taste. It features three languages: English, French, and some Spanish, and is subtitled accordingly.
“The Science of Sleep” leaves you with the same kind of aftertaste as “Eternal Sunshine of the Spotless Mind” (2004). It’s a movie that’s like eggnog: sweet, unusual and a little bit goes a long way.
Directed by Michel Gondry
Gael Garcia Bernal / Charlotte Gainsbourg / Alain Chabat
105 min. Fantasy / Drama
(Original MPAA rating: R)
Edited version age recommendation: 9 and up
DVD release date: February 6, 2007
Copyright 2007.
JP0097 : 198
The Black Dahlia (2006)
O An excellent must-see
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / May 2, 2007
There is a critical, invisible element to filmmaking called “pacing,” which simply means the speed at which the story unfolds and the significant sequences occur. “The Black Dahlia” isn’t a tortoise or molasses; it is a three-toed sloth, stuck behind a tortoise traffic jam on a road of molasses.
And this is more of an observation than a criticism: Some period pieces look authentic; others, like this one, have an artificiality to them. Since “The Black Dahlia” is “inspired by the most notorious, unsolved murder in California history,” it should have been more realistic.
“The Black Dahlia” is an adaptation of the James Ellroy novel about a 1940s movie star who is gruesomely murdered and disemboweled. It follows the investigation of two cops who both become emotionally (and otherwise) involved.
Josh Hartnett, Aaron Eckhart, Scarlett Johansson, Hilary Swank and Mia Kirshner (who plays Elizabeth Short) are all entertaining to watch. There are also interesting developments, but they’re few and far between.
This edited version deletes the murder gore, but there are still scenes of violence and some blood.
It’s a shame that Elizabeth Short became more famous after she was dead. Painters tend to have that problem, too.
Directed by Brian De Palma
Josh Hartnett / Aaron Eckhart / Scarlett Johansson
121 min. Crime / Mystery
(Original MPAA rating: R)
Edited version age recommendation: 16 and up
DVD release date: December 26, 2006
Copyright 2007.
JP0095 : 198
O Good video rental
X Mediocre
O Rent something else
Review by Jason Pyles / May 2, 2007
There is a critical, invisible element to filmmaking called “pacing,” which simply means the speed at which the story unfolds and the significant sequences occur. “The Black Dahlia” isn’t a tortoise or molasses; it is a three-toed sloth, stuck behind a tortoise traffic jam on a road of molasses.
And this is more of an observation than a criticism: Some period pieces look authentic; others, like this one, have an artificiality to them. Since “The Black Dahlia” is “inspired by the most notorious, unsolved murder in California history,” it should have been more realistic.
“The Black Dahlia” is an adaptation of the James Ellroy novel about a 1940s movie star who is gruesomely murdered and disemboweled. It follows the investigation of two cops who both become emotionally (and otherwise) involved.
Josh Hartnett, Aaron Eckhart, Scarlett Johansson, Hilary Swank and Mia Kirshner (who plays Elizabeth Short) are all entertaining to watch. There are also interesting developments, but they’re few and far between.
This edited version deletes the murder gore, but there are still scenes of violence and some blood.
It’s a shame that Elizabeth Short became more famous after she was dead. Painters tend to have that problem, too.
Directed by Brian De Palma
Josh Hartnett / Aaron Eckhart / Scarlett Johansson
121 min. Crime / Mystery
(Original MPAA rating: R)
Edited version age recommendation: 16 and up
DVD release date: December 26, 2006
Copyright 2007.
JP0095 : 198
Blood Diamond (2006)
X An excellent must-see
O Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 27, 2007
Apart from being an excellent movie, “Blood Diamond” is a “must-see” because it’s a “should-see.” Sure, it’s a propaganda film with a blatant agenda, but these are the films we should at least consider.
This movie examines the atrocities associated with the high price of “conflict diamonds.” Another issue that is addressed is the sad, horrifying concept of child soldiers. But even if you’re just looking for an involving action movie, you’ll probably like “Blood Diamond.”
There is a civil war going on over the diamond fields in Africa. Solomon Vandy (Djimon Hounsou) and his family are separated amid the violence (which is plentiful). When Solomon is forced to become a diamond miner, he finds a large, rare, pink diamond and buries it.
Danny Archer (Leonardo DiCaprio), a diamond smuggler, learns of the precious gem and compels Solomon to take him to find it. Maddy Bowen (Jennifer Connelly), a reporter for Vital Affairs magazine, is attempting to expose the tragedies of the conflict diamonds and one of its major supporters.
The acting and storyline in “Blood Diamond” is emotionally rousing. Not only is this an important film, it is a necessary one, and I highly recommend it.
Directed by Edward Zwick
Leonardo DiCaprio / Djimon Hounsou / Jennifer Connelly
143 min. Drama / Adventure
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: March 20, 2007
Copyright 2007.
JP0091 : 197
O Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 27, 2007
Apart from being an excellent movie, “Blood Diamond” is a “must-see” because it’s a “should-see.” Sure, it’s a propaganda film with a blatant agenda, but these are the films we should at least consider.
This movie examines the atrocities associated with the high price of “conflict diamonds.” Another issue that is addressed is the sad, horrifying concept of child soldiers. But even if you’re just looking for an involving action movie, you’ll probably like “Blood Diamond.”
There is a civil war going on over the diamond fields in Africa. Solomon Vandy (Djimon Hounsou) and his family are separated amid the violence (which is plentiful). When Solomon is forced to become a diamond miner, he finds a large, rare, pink diamond and buries it.
Danny Archer (Leonardo DiCaprio), a diamond smuggler, learns of the precious gem and compels Solomon to take him to find it. Maddy Bowen (Jennifer Connelly), a reporter for Vital Affairs magazine, is attempting to expose the tragedies of the conflict diamonds and one of its major supporters.
The acting and storyline in “Blood Diamond” is emotionally rousing. Not only is this an important film, it is a necessary one, and I highly recommend it.
Directed by Edward Zwick
Leonardo DiCaprio / Djimon Hounsou / Jennifer Connelly
143 min. Drama / Adventure
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: March 20, 2007
Copyright 2007.
JP0091 : 197
The Departed (2006)
O An excellent must-see
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 27, 2007
“The Departed,” won the Academy Award for Best Picture of 2006, a victory it earned.
“The Departed” is an American adaptation of a 2002 Hong Kong film called “Internal Affairs.” The story is set in an Irish neighborhood in Boston. Frank Costello (Jack Nicholson) is an organized crime boss who guides a young man, Colin Sullivan (Matt Damon), to become a state-police detective — and more importantly — Costello’s informant. Billy Costigan (Leonardo DiCaprio), another state-police graduate, is sent undercover into Costello’s liar to be an informant for the police.
“The Departed” is a crime drama about two rats spying within two organizations that badly wish to know their identities. The tension surpasses suspense and becomes downright scary.
Even the edited version of “The Departed” is gritty: racial slurs, hand-to-hand combat and shooting violence, blood, a steamy kissing scene, etc. But I would warn edited movie viewers of a scene where an important conversation takes place inside of a pornographic movie theater. No images from the screen are shown, but in the background of the conversation, the pornographic movie’s soundtrack is audible.
“The Departed” has complex plot developments, so the deleted parts make it choppy and somewhat difficult to follow.
Directed by Martin Scorsese
Jack Nicholson / Leonardo DiCaprio / Matt Damon
151 min. Crime / Drama
(Original MPAA rating: R)
Edited version age recommendation: 18 and up
DVD release date: February 13, 2007
Copyright 2007.
JP0090 : 198
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 27, 2007
“The Departed,” won the Academy Award for Best Picture of 2006, a victory it earned.
“The Departed” is an American adaptation of a 2002 Hong Kong film called “Internal Affairs.” The story is set in an Irish neighborhood in Boston. Frank Costello (Jack Nicholson) is an organized crime boss who guides a young man, Colin Sullivan (Matt Damon), to become a state-police detective — and more importantly — Costello’s informant. Billy Costigan (Leonardo DiCaprio), another state-police graduate, is sent undercover into Costello’s liar to be an informant for the police.
“The Departed” is a crime drama about two rats spying within two organizations that badly wish to know their identities. The tension surpasses suspense and becomes downright scary.
Even the edited version of “The Departed” is gritty: racial slurs, hand-to-hand combat and shooting violence, blood, a steamy kissing scene, etc. But I would warn edited movie viewers of a scene where an important conversation takes place inside of a pornographic movie theater. No images from the screen are shown, but in the background of the conversation, the pornographic movie’s soundtrack is audible.
“The Departed” has complex plot developments, so the deleted parts make it choppy and somewhat difficult to follow.
Directed by Martin Scorsese
Jack Nicholson / Leonardo DiCaprio / Matt Damon
151 min. Crime / Drama
(Original MPAA rating: R)
Edited version age recommendation: 18 and up
DVD release date: February 13, 2007
Copyright 2007.
JP0090 : 198
Déjà Vu (2006)
O An excellent must-see
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 24, 2007
The problem with time travel movies is that there’s always a problem. But if you allow yourself a suspension of disbelief, “Deja Vu” is an exhilarating movie.
It’s a significant film because it was shot in New Orleans three months after Hurricane Katrina. Devastation from the storm is shown and its occurrence is referenced. But this movie isn’t about the hurricane; it’s about terrorism and a time traveler who hopes to prevent it.
During Mardi Gras, some maniac blows up a ferryboat and kills 543 people. Carlin, who’s investigating the case, is commissioned to lead the investigation and is given access to a mind-blowing device: a time machine.
At one point, the movie’s hero, ATF agent Doug Carlin (Denzel Washington), poses a great question: “What if you had to tell someone the most important thing in the world, but you knew they’d never believe you?” “Deja Vu” is fun because we’re constantly posing the same kinds of questions to ourselves as we watch.
The edited version of “Deja Vu” is moderately violent with bombings, shootings and the like. Oh, and the ATF is the Bureau of Alcohol, Tobacco, and Firearms, which is a government law enforcement agency.
Directed by Tony Scott
Denzel Washington / James Caviezel / Val Kilmer
128 min. Thriller / Action
(Original MPAA rating: PG-13)
Edited version age recommendation: 15 and up
DVD release date: April 24, 2007
Copyright 2007.
JP0086 : 197
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 24, 2007
The problem with time travel movies is that there’s always a problem. But if you allow yourself a suspension of disbelief, “Deja Vu” is an exhilarating movie.
It’s a significant film because it was shot in New Orleans three months after Hurricane Katrina. Devastation from the storm is shown and its occurrence is referenced. But this movie isn’t about the hurricane; it’s about terrorism and a time traveler who hopes to prevent it.
During Mardi Gras, some maniac blows up a ferryboat and kills 543 people. Carlin, who’s investigating the case, is commissioned to lead the investigation and is given access to a mind-blowing device: a time machine.
At one point, the movie’s hero, ATF agent Doug Carlin (Denzel Washington), poses a great question: “What if you had to tell someone the most important thing in the world, but you knew they’d never believe you?” “Deja Vu” is fun because we’re constantly posing the same kinds of questions to ourselves as we watch.
The edited version of “Deja Vu” is moderately violent with bombings, shootings and the like. Oh, and the ATF is the Bureau of Alcohol, Tobacco, and Firearms, which is a government law enforcement agency.
Directed by Tony Scott
Denzel Washington / James Caviezel / Val Kilmer
128 min. Thriller / Action
(Original MPAA rating: PG-13)
Edited version age recommendation: 15 and up
DVD release date: April 24, 2007
Copyright 2007.
JP0086 : 197
Smokin' Aces (2007)
O An excellent must-see
O Good rental choice
O Mediocre
X Rent something else
Review by Jason Pyles / April 17, 2007
Typically, I love Mafia movies, but “Smokin’ Aces” isn’t really a Mafia movie — though it purports to be. It also poses as a clever Tarantino bloodbath, but it doesn’t pull that off, either. “Smokin’ Aces” is a “hit-man’s Olympics.”
Buddy “Aces” Israel (Jeremy Piven) is the FBI’s one and only key witness who can finally bring down Mafioso godfather Primo Sparazza (Joseph Ruskin). The FBI have him hole up in a Las Vegas penthouse, heavily guarded, under a witness protection program.
When Sparazza requests Israel’s death (and his heart as a souvenir), contract killers come out of the woodwork in a race for the prize — similar to the way Boba Fett and all the galaxy’s bounty hunters flocked to collect on Jabba the Hut’s contract for Han Solo. As this circus of ruthless and disgusting degenerates ascend the tower, they assassinate anyone who gets in their way.
The problem with “Smokin’ Aces” is that it unsuccessfully tries to orchestrate myriad characters. An effective example of this would be “Ocean’s Eleven” (2001); an ineffective example is “Smokin’ Aces.”
This edited version’s cuts make an already confusing movie even harder to follow. And it’s still a violent and bloody mess.
Directed by Joe Carnahan
Jeremy Piven / Ryan Reynolds / Andy Garcia
108 min. Action / Crime
(Original MPAA rating: R)
Edited version age recommendation: 18 and up
DVD release date: April 17, 2007
Copyright 2007.
JP0088 : 198
O Good rental choice
O Mediocre
X Rent something else
Review by Jason Pyles / April 17, 2007
Typically, I love Mafia movies, but “Smokin’ Aces” isn’t really a Mafia movie — though it purports to be. It also poses as a clever Tarantino bloodbath, but it doesn’t pull that off, either. “Smokin’ Aces” is a “hit-man’s Olympics.”
Buddy “Aces” Israel (Jeremy Piven) is the FBI’s one and only key witness who can finally bring down Mafioso godfather Primo Sparazza (Joseph Ruskin). The FBI have him hole up in a Las Vegas penthouse, heavily guarded, under a witness protection program.
When Sparazza requests Israel’s death (and his heart as a souvenir), contract killers come out of the woodwork in a race for the prize — similar to the way Boba Fett and all the galaxy’s bounty hunters flocked to collect on Jabba the Hut’s contract for Han Solo. As this circus of ruthless and disgusting degenerates ascend the tower, they assassinate anyone who gets in their way.
The problem with “Smokin’ Aces” is that it unsuccessfully tries to orchestrate myriad characters. An effective example of this would be “Ocean’s Eleven” (2001); an ineffective example is “Smokin’ Aces.”
This edited version’s cuts make an already confusing movie even harder to follow. And it’s still a violent and bloody mess.
Directed by Joe Carnahan
Jeremy Piven / Ryan Reynolds / Andy Garcia
108 min. Action / Crime
(Original MPAA rating: R)
Edited version age recommendation: 18 and up
DVD release date: April 17, 2007
Copyright 2007.
JP0088 : 198
Candy (2006)
O An excellent must-see
O Good rental choice
O Mediocre
X Rent something else
Review by Jason Pyles / April 24, 2007
“Candy” is the explicit depiction of two heroin junkies who are in love. Though edited for content, this movie unflinchingly shows us the affiliated horrors of drug addiction.
“Candy” isn’t a terrible film; it’s just unpleasant and horrifically sad — but not for the reasons that you might expect. The acting is phenomenally convincing. We continually feel compelled to call someone to help the two protagonists.
Dan (Heath Ledger) and Candy (Abbie Cornish) are truly in love. We have no doubt about that. Neither do we doubt that they love heroin just a little more. He is an aspiring poet; she is a painter. And with their “recreational pharmaceutical” habits, the two young lovers are not a financially sound pairing: Poverty envelops them.
“Candy” reveals their love story and its sorrows. We watch the couple pass through three stages: heaven, earth and hell. The second act, the earth phase, has the saddest moments I’ve ever seen on film.
If you’ve ever watched “Eternal Sunshine of the Spotless Mind” (2004), then you’ll be familiar with the shroud of discontentment and pensiveness that this movie drapes upon you, except “Candy” anchors its melancholy with stark and unapologetic realism.
Directed by Neil Armfield
Heath Ledger / Abbie Cornish / Geoffrey Rush
108 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 18 and up
DVD release date: March 27, 2007
Copyright 2007.
JP0085 : 195
O Good rental choice
O Mediocre
X Rent something else
Review by Jason Pyles / April 24, 2007
“Candy” is the explicit depiction of two heroin junkies who are in love. Though edited for content, this movie unflinchingly shows us the affiliated horrors of drug addiction.
“Candy” isn’t a terrible film; it’s just unpleasant and horrifically sad — but not for the reasons that you might expect. The acting is phenomenally convincing. We continually feel compelled to call someone to help the two protagonists.
Dan (Heath Ledger) and Candy (Abbie Cornish) are truly in love. We have no doubt about that. Neither do we doubt that they love heroin just a little more. He is an aspiring poet; she is a painter. And with their “recreational pharmaceutical” habits, the two young lovers are not a financially sound pairing: Poverty envelops them.
“Candy” reveals their love story and its sorrows. We watch the couple pass through three stages: heaven, earth and hell. The second act, the earth phase, has the saddest moments I’ve ever seen on film.
If you’ve ever watched “Eternal Sunshine of the Spotless Mind” (2004), then you’ll be familiar with the shroud of discontentment and pensiveness that this movie drapes upon you, except “Candy” anchors its melancholy with stark and unapologetic realism.
Directed by Neil Armfield
Heath Ledger / Abbie Cornish / Geoffrey Rush
108 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 18 and up
DVD release date: March 27, 2007
Copyright 2007.
JP0085 : 195
Freedom Writers (2007)
O An excellent must-see
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 17, 2007
“Freedom Writers” is a good movie: It’s surprisingly poignant, emotionally charged, involving and is an overall feel-good film.
Inspired by a 1999 publication titled “The Freedom Writers Diary,” this movie takes place about two years after the Rodney King incident and the resultant riots in Los Angeles.
Erin Gruwell (Hilary Swank) is a first-year teacher for Woodrow Wilson High School’s freshman English class. Her daunting task is to teach a racially warring class of 14- and 15-year-olds comprised of Latinos, Cambodians, African Americans and one Caucasian. Most of these kids are involved in gangs and have criminal records.
But Gruwell is determined to “make a difference” by believing in her students, teaching them the horrors of the Holocaust and having them tell their own stories by daily journal writing. In addition to battling the racism among those in her classroom, Gruwell also has to deal with a mostly apathetic administration, a skeptical father and an unsupportive husband.
This edited version still portrays some gang violence and has a scene of mild sexual innuendo, but the moving scenes relating to the Holocaust are particularly valuable. The movie’s predominantly ‘90s soundtrack and voice-over narration are exceptional touches.
I recommend this rental.
Directed by Richard LaGravenese
Hilary Swank / Patrick Dempsey / Scott Glenn
123 min. Drama
(Original MPAA rating: PG-13)
Edited version age recommendation: 13 and up
DVD release date: April 17, 2007
Copyright 2007.
JP0083 : 199
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 17, 2007
“Freedom Writers” is a good movie: It’s surprisingly poignant, emotionally charged, involving and is an overall feel-good film.
Inspired by a 1999 publication titled “The Freedom Writers Diary,” this movie takes place about two years after the Rodney King incident and the resultant riots in Los Angeles.
Erin Gruwell (Hilary Swank) is a first-year teacher for Woodrow Wilson High School’s freshman English class. Her daunting task is to teach a racially warring class of 14- and 15-year-olds comprised of Latinos, Cambodians, African Americans and one Caucasian. Most of these kids are involved in gangs and have criminal records.
But Gruwell is determined to “make a difference” by believing in her students, teaching them the horrors of the Holocaust and having them tell their own stories by daily journal writing. In addition to battling the racism among those in her classroom, Gruwell also has to deal with a mostly apathetic administration, a skeptical father and an unsupportive husband.
This edited version still portrays some gang violence and has a scene of mild sexual innuendo, but the moving scenes relating to the Holocaust are particularly valuable. The movie’s predominantly ‘90s soundtrack and voice-over narration are exceptional touches.
I recommend this rental.
Directed by Richard LaGravenese
Hilary Swank / Patrick Dempsey / Scott Glenn
123 min. Drama
(Original MPAA rating: PG-13)
Edited version age recommendation: 13 and up
DVD release date: April 17, 2007
Copyright 2007.
JP0083 : 199
The Last King of Scotland (2006)
O An excellent must-see
O Good rental choice
X Mediocre
O Rent something else
Review by Jason Pyles / April 17, 2007
Forest Whitaker won the Academy Award for Best Actor for this performance as General Dada, an actual person who was a monster.
"The Last King of Scotland" begins by informing us that the film is inspired by real people and real events. It opens in Scotland, 1970, when a young doctor graduates from medical school. Dr. Nicholas Garrigan (James McAvoy) wishes to escape his father, so he spins a globe and randomly picks Uganda.
Garrigan goes to render medical aid to an African mission of less fortunate Ugandans. But the new doctor catches Dada's attention. The towering leader has an affinity for Garrigan, so he uses his wealth and charisma to persuade Garrigan to be his personal physician.
While in the service of the madman's regime, Garrigan learns disturbing things about his boss. By association, Garrigan becomes trapped and knows he must find a way to escape — or else.
Essentially, "The Last King of Scotland" is a political thriller based on historical atrocities that happened in Uganda during the '70s. And though edited, this movie depicts execution-style shootings and mild torture.
The film is well made with excellent acting, but its intrigue loses momentum as it progresses.
Directed by Kevin Macdonald
Forest Whitaker / James McAvoy / Gillian Anderson
123 min. Drama / Thriller
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: April 17, 2007
Copyright 2007.
JP0082 : 197
O Good rental choice
X Mediocre
O Rent something else
Review by Jason Pyles / April 17, 2007
Forest Whitaker won the Academy Award for Best Actor for this performance as General Dada, an actual person who was a monster.
"The Last King of Scotland" begins by informing us that the film is inspired by real people and real events. It opens in Scotland, 1970, when a young doctor graduates from medical school. Dr. Nicholas Garrigan (James McAvoy) wishes to escape his father, so he spins a globe and randomly picks Uganda.
Garrigan goes to render medical aid to an African mission of less fortunate Ugandans. But the new doctor catches Dada's attention. The towering leader has an affinity for Garrigan, so he uses his wealth and charisma to persuade Garrigan to be his personal physician.
While in the service of the madman's regime, Garrigan learns disturbing things about his boss. By association, Garrigan becomes trapped and knows he must find a way to escape — or else.
Essentially, "The Last King of Scotland" is a political thriller based on historical atrocities that happened in Uganda during the '70s. And though edited, this movie depicts execution-style shootings and mild torture.
The film is well made with excellent acting, but its intrigue loses momentum as it progresses.
Directed by Kevin Macdonald
Forest Whitaker / James McAvoy / Gillian Anderson
123 min. Drama / Thriller
(Original MPAA rating: R)
Edited version age recommendation: 17 and up
DVD release date: April 17, 2007
Copyright 2007.
JP0082 : 197
Come Early Morning (2006)
O An excellent must-see
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
“Come Early Morning” has an uncommon authenticity. Its characters make us feel like we’re watching real people’s real lives, a credit to Joey Lauren Adams’ writing and these fine actors.
Very little actually happens in this movie — especially in the way of revelations and resolutions. It seems to be devoid of plot or storyline. But “Come Early Morning” depicts how life happens.
Lucy Fowler (Ashley Judd) is self-destructive in her unhappiness. She spends her weekends at the local bars, drinking beer, shooting pool and then waking up the following morning lying next to a stranger.
(I would note that, although edited for content, this character’s promiscuous behavior and consistent alcohol consumption are prominent themes of the movie.)
Lucy, her friends and her family are simple folk who live in a small town. “Come Early Morning” merely chronicles her days, her routines and the painful interactions of her troubled relationships.
This is a movie for people who love people. The director is careful to preserve her characters’ credibility and realism with each scene and in each line of dialogue.
“Come Early Morning” is a good film — even though it doesn’t go anywhere, much like those in Lucy’s town.
Directed by Joey Lauren Adams
Ashley Judd / Jeffrey Donovan / Tim Blake Nelson
97 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: March 20, 2007
Copyright 2007.
JP0079 : 197
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
“Come Early Morning” has an uncommon authenticity. Its characters make us feel like we’re watching real people’s real lives, a credit to Joey Lauren Adams’ writing and these fine actors.
Very little actually happens in this movie — especially in the way of revelations and resolutions. It seems to be devoid of plot or storyline. But “Come Early Morning” depicts how life happens.
Lucy Fowler (Ashley Judd) is self-destructive in her unhappiness. She spends her weekends at the local bars, drinking beer, shooting pool and then waking up the following morning lying next to a stranger.
(I would note that, although edited for content, this character’s promiscuous behavior and consistent alcohol consumption are prominent themes of the movie.)
Lucy, her friends and her family are simple folk who live in a small town. “Come Early Morning” merely chronicles her days, her routines and the painful interactions of her troubled relationships.
This is a movie for people who love people. The director is careful to preserve her characters’ credibility and realism with each scene and in each line of dialogue.
“Come Early Morning” is a good film — even though it doesn’t go anywhere, much like those in Lucy’s town.
Directed by Joey Lauren Adams
Ashley Judd / Jeffrey Donovan / Tim Blake Nelson
97 min. Drama
(Original MPAA rating: R)
Edited version age recommendation: 15 and up
DVD release date: March 20, 2007
Copyright 2007.
JP0079 : 197
Lovewrecked (2005)
O An excellent must-see
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
Understand, that when I rate "Lovewrecked" as a "Good rental choice," I'm rating it according to its genre: teen romantic comedy for 13-year-old girls. Make no mistake, “Lovewrecked” is slumber-party fare — light, fun and colorful.
Jenny Taylor (Amanda Bynes) has the perfect 18th birthday: Accompanied by her best pal, Ryan (Jonathan Bennett), she gets to attend the Jason Masters’ concert. Jason Masters (Chris Carmack) is Jenny’s favorite rock-star icon with whom she is obsessed.
The story is familiar, much like the formula of “Win a Date With Tad Hamilton!” (2004): The gal is infatuated with the wrong guy, while the right guy has been in front of her face, adoring her all along. Always lurking nearby, is Jenny’s nemesis, Alexis (Jamie-Lynn DiScala), who viscously competes for the pop star’s attention.
When these characters end up at a Caribbean resort during the summer, Jenny finds a way to keep her musical hunk as her captive audience — but not if Alexis has anything to do with it. And so forth.
“Lovewrecked” is cute but not innocent. It has subtle (and not-so-subtle) innuendo and is filled with babes in bikinis. I recommend this for ages 13 and up but with discretion.
Directed by Randal Kleiser
Amanda Bynes / Chris Carmack / Jonathan Bennett
83 min. Comedy / Romance
(Original MPAA rating: PG-13)
Edited version age recommendation: 13 and up
DVD release date: March 13, 2007
Copyright 2007.
JP0078 : 198
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
Understand, that when I rate "Lovewrecked" as a "Good rental choice," I'm rating it according to its genre: teen romantic comedy for 13-year-old girls. Make no mistake, “Lovewrecked” is slumber-party fare — light, fun and colorful.
Jenny Taylor (Amanda Bynes) has the perfect 18th birthday: Accompanied by her best pal, Ryan (Jonathan Bennett), she gets to attend the Jason Masters’ concert. Jason Masters (Chris Carmack) is Jenny’s favorite rock-star icon with whom she is obsessed.
The story is familiar, much like the formula of “Win a Date With Tad Hamilton!” (2004): The gal is infatuated with the wrong guy, while the right guy has been in front of her face, adoring her all along. Always lurking nearby, is Jenny’s nemesis, Alexis (Jamie-Lynn DiScala), who viscously competes for the pop star’s attention.
When these characters end up at a Caribbean resort during the summer, Jenny finds a way to keep her musical hunk as her captive audience — but not if Alexis has anything to do with it. And so forth.
“Lovewrecked” is cute but not innocent. It has subtle (and not-so-subtle) innuendo and is filled with babes in bikinis. I recommend this for ages 13 and up but with discretion.
Directed by Randal Kleiser
Amanda Bynes / Chris Carmack / Jonathan Bennett
83 min. Comedy / Romance
(Original MPAA rating: PG-13)
Edited version age recommendation: 13 and up
DVD release date: March 13, 2007
Copyright 2007.
JP0078 : 198
Top Gun (1986)
O An excellent must-see
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
I’d like to apologize to Tom Cruise for loathing him when I was in fifth grade: Jeana Nicely was head-over-heels in love with him, and I with her.
But a lot of other, non-jealous people loved “Top Gun” when it flew into theaters in 1986 … and they still do. I suppose the movie holds up as well as any other ‘80s flick. Yes, “Top Gun” is still a “Good rental choice,” if for no other reason than nostalgia.
In truth, the dialogue and acting are quite mechanical in places. And I’ve always thought the filming of the aerial dogfights was problematic and disorienting (which was, no doubt, intended). To date, the best filming of airplane warfare I’ve seen is in “Flyboys” (2006).
You know the story: Tom Cruise is “Maverick,” a hot-shot pilot who’s reckless, rebellious and extremely gifted. When the Navy commissions him to train at an elite flight school, Maverick is intensely challenged in flying, in love and in life.
Reviewing “Top Gun” made me long to revisit “Iron Eagle” (also 1986) and “An Officer and a Gentleman” (1982).
I can't help but wonder how Jeana feels about Tom Cruise’s propensity to jump on furniture.
Directed by Tony Scott
Tom Cruise / Val Kilmer / Kelly McGillis
110 min. Drama / Action
(Original MPAA rating: PG / re-rated: PG-13)
Edited version age recommendation: 12 and up
Collector’s Edition DVD release date: December 14, 2004
Copyright 2007.
JP0077 : 198
X Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
I’d like to apologize to Tom Cruise for loathing him when I was in fifth grade: Jeana Nicely was head-over-heels in love with him, and I with her.
But a lot of other, non-jealous people loved “Top Gun” when it flew into theaters in 1986 … and they still do. I suppose the movie holds up as well as any other ‘80s flick. Yes, “Top Gun” is still a “Good rental choice,” if for no other reason than nostalgia.
In truth, the dialogue and acting are quite mechanical in places. And I’ve always thought the filming of the aerial dogfights was problematic and disorienting (which was, no doubt, intended). To date, the best filming of airplane warfare I’ve seen is in “Flyboys” (2006).
You know the story: Tom Cruise is “Maverick,” a hot-shot pilot who’s reckless, rebellious and extremely gifted. When the Navy commissions him to train at an elite flight school, Maverick is intensely challenged in flying, in love and in life.
Reviewing “Top Gun” made me long to revisit “Iron Eagle” (also 1986) and “An Officer and a Gentleman” (1982).
I can't help but wonder how Jeana feels about Tom Cruise’s propensity to jump on furniture.
Directed by Tony Scott
Tom Cruise / Val Kilmer / Kelly McGillis
110 min. Drama / Action
(Original MPAA rating: PG / re-rated: PG-13)
Edited version age recommendation: 12 and up
Collector’s Edition DVD release date: December 14, 2004
Copyright 2007.
JP0077 : 198
Jonestown: The Life and Death of Peoples Temple (2006)
X An excellent must-see
O Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
The two most disturbing films I’ve ever seen are “Breakdown” (1997) and “Open Water” (2003). But I must rank this 2006 documentary called “Jonestown: The Life and Death of Peoples Temple” among them, because it is equally troubling and upsetting.
How could one man persuade 909 people to commit mass suicide by drinking cyanide? “Jonestown” reviews chilling archival video footage and audio recordings that explain this dark process.
In the ‘60s, Jim Jones, a charismatic, religious zealot, began his own church called Peoples Temple. His initial teachings were considered “normal”: Christian, Bible-based with Pentecostal overtones. He taught racial integration and the law of consecration (all resources shared and community-owned).
Jones gained great momentum, picking up converts with cross-country bus tours. They moved from place to place, and eventually settled in the country of Guyana, in South America, where the unthinkable happened.
This documentary chronicles Jones’ history and his church, featuring fascinating interviews with a few former followers who survived — including one of his adopted sons.
Some footage shows numerous corpses; this documentary is not for children.
The scariest horror movies are those that could actually happen ... scarier still are those that did happen, like this one.
Directed by Stanley Nelson
Jim Jones / Jim Jones Jr. / Willie Brown
86 min. Documentary / History
(Original MPAA rating: not rated)
Edited version age recommendation: 15 and up
DVD release date: April 10, 2007
Copyright 2007.
JP0076 : 197
O Good rental choice
O Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
The two most disturbing films I’ve ever seen are “Breakdown” (1997) and “Open Water” (2003). But I must rank this 2006 documentary called “Jonestown: The Life and Death of Peoples Temple” among them, because it is equally troubling and upsetting.
How could one man persuade 909 people to commit mass suicide by drinking cyanide? “Jonestown” reviews chilling archival video footage and audio recordings that explain this dark process.
In the ‘60s, Jim Jones, a charismatic, religious zealot, began his own church called Peoples Temple. His initial teachings were considered “normal”: Christian, Bible-based with Pentecostal overtones. He taught racial integration and the law of consecration (all resources shared and community-owned).
Jones gained great momentum, picking up converts with cross-country bus tours. They moved from place to place, and eventually settled in the country of Guyana, in South America, where the unthinkable happened.
This documentary chronicles Jones’ history and his church, featuring fascinating interviews with a few former followers who survived — including one of his adopted sons.
Some footage shows numerous corpses; this documentary is not for children.
The scariest horror movies are those that could actually happen ... scarier still are those that did happen, like this one.
Directed by Stanley Nelson
Jim Jones / Jim Jones Jr. / Willie Brown
86 min. Documentary / History
(Original MPAA rating: not rated)
Edited version age recommendation: 15 and up
DVD release date: April 10, 2007
Copyright 2007.
JP0076 : 197
Marie Antoinette (2006)
O An excellent must-see
O Good rental choice
X Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
"Marie Antoinette" is not overly entertaining, though it’s sometimes endearing.
In the 18th century (circa 1768), Marie Antoinette (Kirsten Dunst) of Austria is betrothed to Louis XVI, the future king of France — a marriage designed to maintain the friendly alliance between the two countries.
The plot of "Marie Antoinette" is simply a depiction of the legendary life of an unfortunate queen. For instance, we see the immense pressure to produce an heir to the throne. We also see a young lady’s playful disposition squeezed into the rigid formality of royalty. And we hear the frightening mobs of discontented France storming the monarchs’ palace in Versailles. And really, that’s about it.
The costumes in this movie are incredible — as are the sets — making "Marie Antoinette" a glamorized period piece. But the spell is broken by the pop music of the soundtrack, much like we heard in "A Knight's Tale" (2001).
Writer and director Sofia Coppola (yes, the daughter of Francis) allows her movie fall prey to flawed storytelling: Initially, it’s repetitive, next the narrative becomes sparse, and then it cheats us with its unsatisfactory ending.
“Marie Antoinette” isn’t a bad movie, but I wouldn’t say it’s fit for a queen.
Directed by Sophia Coppola
Kirsten Dunst / Jason Schwartzman / Steve Coogan
123 min. Drama
(Original MPAA rating: PG-13)
Edited version age recommendation: 12 and up
DVD release date: February 13, 2007
Copyright 2007.
JP0075 : 199
O Good rental choice
X Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
"Marie Antoinette" is not overly entertaining, though it’s sometimes endearing.
In the 18th century (circa 1768), Marie Antoinette (Kirsten Dunst) of Austria is betrothed to Louis XVI, the future king of France — a marriage designed to maintain the friendly alliance between the two countries.
The plot of "Marie Antoinette" is simply a depiction of the legendary life of an unfortunate queen. For instance, we see the immense pressure to produce an heir to the throne. We also see a young lady’s playful disposition squeezed into the rigid formality of royalty. And we hear the frightening mobs of discontented France storming the monarchs’ palace in Versailles. And really, that’s about it.
The costumes in this movie are incredible — as are the sets — making "Marie Antoinette" a glamorized period piece. But the spell is broken by the pop music of the soundtrack, much like we heard in "A Knight's Tale" (2001).
Writer and director Sofia Coppola (yes, the daughter of Francis) allows her movie fall prey to flawed storytelling: Initially, it’s repetitive, next the narrative becomes sparse, and then it cheats us with its unsatisfactory ending.
“Marie Antoinette” isn’t a bad movie, but I wouldn’t say it’s fit for a queen.
Directed by Sophia Coppola
Kirsten Dunst / Jason Schwartzman / Steve Coogan
123 min. Drama
(Original MPAA rating: PG-13)
Edited version age recommendation: 12 and up
DVD release date: February 13, 2007
Copyright 2007.
JP0075 : 199
The Aura (2005)
O An excellent must-see
O Good rental choice
X Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
“The Aura” takes the expression “getting away with murder” to a whole new level and is reminiscent of “The Talented Mr. Ripley” (1999).
I would have rated “The Aura” as a “Good rental choice” if it weren’t so slow. It’s a decent movie — don’t get me wrong — but this Argentine film takes its time, careful not to rush. Slow pacing isn’t always a bad thing, but it can be taxing for those accustomed to American cinema’s frequent attention-getting assaults.
This is the story of an odd man, a taxidermist who fantasizes about executing the perfect robbery. Esteban Espinosa (Ricardo Darin) is also an epileptic whose seizures come upon him at the most inopportune times.
Even though he has an aversion to killing animals, the taxidermist’s friend persuades him to tag along for a hunting trip. When Esteban is involved in a hunting accident, he stumbles into happy but dangerous circumstances that enable him to indulge in his criminal cravings, much like Matt Damon’s Tom Ripley character.
“The Aura” has Spanish dialogue with English subtitles. The editing for this version is well done, but there are a couple of shootings depicted that would not be appropriate for younger viewers.
Directed by Fabian Bielinsky
Ricardo Darin / Dolores Fonzi / Nahuel Perez Biscayart
134 min. Crime / Drama
(Original MPAA rating: not rated)
Edited version age recommendation: 15 and up
DVD release date: April 10, 2007
Copyright 2007.
JP0074 : 198
O Good rental choice
X Mediocre
O Rent something else
Review by Jason Pyles / April 10, 2007
“The Aura” takes the expression “getting away with murder” to a whole new level and is reminiscent of “The Talented Mr. Ripley” (1999).
I would have rated “The Aura” as a “Good rental choice” if it weren’t so slow. It’s a decent movie — don’t get me wrong — but this Argentine film takes its time, careful not to rush. Slow pacing isn’t always a bad thing, but it can be taxing for those accustomed to American cinema’s frequent attention-getting assaults.
This is the story of an odd man, a taxidermist who fantasizes about executing the perfect robbery. Esteban Espinosa (Ricardo Darin) is also an epileptic whose seizures come upon him at the most inopportune times.
Even though he has an aversion to killing animals, the taxidermist’s friend persuades him to tag along for a hunting trip. When Esteban is involved in a hunting accident, he stumbles into happy but dangerous circumstances that enable him to indulge in his criminal cravings, much like Matt Damon’s Tom Ripley character.
“The Aura” has Spanish dialogue with English subtitles. The editing for this version is well done, but there are a couple of shootings depicted that would not be appropriate for younger viewers.
Directed by Fabian Bielinsky
Ricardo Darin / Dolores Fonzi / Nahuel Perez Biscayart
134 min. Crime / Drama
(Original MPAA rating: not rated)
Edited version age recommendation: 15 and up
DVD release date: April 10, 2007
Copyright 2007.
JP0074 : 198
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